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Paul Morley

Paul Morley Quotes

Journalist

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Famous Paul Morley Quotes

“It's barely changed since the faceless colour committee originally selected it in 1908 when the first map of the Underground was designed and the Bakerloo conclusively became brown, a very early twentieth-century brown, which brings something of the nineteenth century with it - the colour of Sherlock Holmes's pipe, a Gladstone bag, a grandfather clock.”

“Liverpool, surreal. Liverpool, sardonic. Liverpool, battered dignity. Liverpool, flotsam of maritime memory. Liverpool, never quite what it was because everything it does changes what it does. Liverpool, the home of Liverpool. Liverpool, welcoming the world. Liverpool, cutting-edge, keeping pace, dropping anchor. Liverpool, lost. Liverpool, as spontaneous as life itself. Liverpool, born. Liverpool, going to sea. Liverpool, set in its ways, at the end of the line, at the beginning of time, with its back to the land, its feet in the water, its head in the clouds, its heart on its sleeve, hearts in its mouth. Liverpool, its being so cheerful that keeps us going. Liverpool, the first city to rock in Britain. Liverpool, boring people to tears. Liverpool, singing for its supper. Liverpool, a long memory for those who aimed kicks when it was down. Liverpool, eagles become seagulls. Liverpool, working. Liverpool, dreaming. Liverpool, a terminus for down and outs. Liverpool, corrupt. Liverpool, uncompromising. Liverpool, playfulness turned to art, and philosophy, and business. Liverpool, a relatively small provincial city plus hinterland with associated metaphysical space as defined by dramatic moments in history, emotional occasions and general restlessness. Liverpool, the rest of the world rubbing off. Liverpool, occupation hard knocks.”

“I know, or I dream, that pop music can search out limits, mock restrictions and divisions, exorcise cultural nightmares, contribute to revitaiisation of people's thinking, disturb and inspire if only through its unstable mobility, its readiness to pursue apparently irrelevant links and private associations.”

“If post-punk enterprise suggested that pop music could establish a fierce skittishness, an aggressive self-irony, that would enable it to transcend its manufactured state, video narcissism announces that pop has found an easy way to steal more cash from young people and damage their natural desires.”