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Novelty Quotes

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Novelty Quotes

“We only know a tiny proportion about the complexity of the natural world. Wherever you look, there are still things we don’t know about and don’t understand. [...] There are always new things to find out if you go looking for them.”

“Watching the trees bloom in a riot of pink clouds in spring, the red-gold sunrise in the skin of an apple, the shadows mingling on the moss, the moments of novelty and beauty hidden in the repetition— this was the orchard that captured Delphine. She tried to catch its movement in sketches and coax its colors into painted landscapes. And she knew, intuited it from the quietest, deepest part of herself, that there was more of that novelty and beauty waiting to be discovered. Waiting for her.”

“It was a small tortoise with Julia’s initials set in diamonds in the living shell, and this slightly obscene object, now slipping impotently on the polished boards, now striding across the card-table, now lumbering over a rug, now withdrawn at a touch, now stretching its neck and swaying its withered, antediluvian head, became a memorable part of the evening, one of those needlehooks of experience which catch the attention when larger matters are at stake.”

“But when fundamentals are doubted, as at present, we must try to recover the candour and wonder of the child; the unspoilt realism and objectivity of innocence. Or if we cannot do that, we must try at least to shake off the cloud of mere custom and see the thing as new, if only by seeing it as unnatural. Things that may well be familiar so long as familiarity breeds affection had much better become unfamiliar when familiarity breeds contempt. For in connection with things so great as are here considered, whatever our view of them, contempt must be a mistake. Indeed contempt must be an illusion. We must invoke the most wild and soaring sort of imagination; the imagination that can see what is there.”

“Novelty and Security: the security of novelty, the novelty of security. Always the full thing, the whole subject, the true subject, stood just behind the one you found yourself contemplating. The trick, but it wasn't a trick, was to take up at once the thing you saw and the reason you saw it as well; to always bite off more than you could chew, and then chew it. If it were self-indulgence for him to cut and polish his semiprecious memories, and yet seem like danger, like a struggle he was unfit for, then self-indulgence was a potent force, he must examine it, he must reckon with it.”

“Death is great for the appetites. How about those two girls and Gribble? They wanted to see what screwing a dead man felt like. Now for Something Completely New and Different. I don't know if Gribble got much out of it, but they sure as shit did. It's the same with anybody. It doesn't matter if they're eating or drinking or sitting on their cans. They like it better, they feel it and taste it better because they're watching dead men.”

“Intensity-seeking is an enslavement of our own perpetuation. When we step out of the delirium of always seeking someone new, and meet the same old sad and lonely child within, our healing journey begins. Exhausting ourselves with novelty is a defense against our deepest pain, one that we cannot outrun. But once we stop and feel our losses, we can begin our healing journey and be the authentic, joyous person we were born to be.”

“All European writers are ‘slaves of their baptism,’ if I may paraphrase Rimbaud; like it or not, their writing carries baggage from an immense and almost frightening tradition; they accept that tradition or they fight against it, it inhabits them, it is their familiar and their succubus. Why write, if everything has, in a way, already been said? Gide observed sardonically that since nobody listened, everything has to be said again, yet a suspicion of guilt and superfluity leads the European intellectual to the most extreme refinements of his trade and tools, the only way to avoid paths too much traveled. Thus the enthusiasm that greets novelties, the uproar when a writer has succeeded in giving substance to a new slice of the invisible; merely recall symbolism, surrealism, the ‘nouveau roman’: finally something truly new that neither Ronsard, nor Stendahl , nor Proust imagined. For a moment we can put aside our guilt; even the epigones begin too believe they are doing something new. Afterwards, slowly, they begin to feel European again and each writer still has his albatross around his neck.”

“A “rich environment” is a combination platter of novelty, unpredictability, and complexity — three elements that catch and hold our attention much like risk. Novelty means both danger and opportunity. To our forbearers, a strange scent in the wind could be prey or predator, but either way it paid to pay attention. Unpredictability means we don’t know what happens next, thus we pay extra attention to what happens next. Complexity, when there’s lots of salient information coming at us at once, does more of the same.”

“Let me tell you something. As we were walking around in the store, Marilyn and I were just really impressed by all the novelties and the different types of little things that you could get for Christmas. And all the people that would help you, they were dressed up in things that said 'I believe in Santa Claus.' And the only thing that I could think is that I believe in George Bush.”

“Entrepreneurial creation is the generation, de novo, of novelty and surprise- freedom of choice originating in the world of ideas, and imagination beyond all concern with chemicals. The contrary view- that all ideas are determined by material relationships- is the materialist superstition.”

“The economy is still substantially that of the fur trade, still based on the same general kinds of commercial items: technology, weapons, ornaments, novelties, and drugs. The one great difference is that by now the revolution has deprived the mass of consumers of any independent access to the staples of life: clothing, shelter, food, even water. Air access remains the only necessity that the average user can still get for himself, and the revolution has imposed a heavy tax on that by way of pollution. Commercial conquest is far more thorough and final than military defeat.”

“It was pleasant to me to get a letter from you the other day. Perhaps I should have found it pleasanter if I had been able to decipher it. I don't think that I mastered anything beyond the date (which I knew) and the signature (which I guessed at). There's a singular and a perpetual charm in a letter of yours; it never grows old, it never loses its novelty. Other letters are read and thrown away and forgotten, but yours are kept forever - unread. One of them will last a reasonable man a lifetime.”