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“a woman in late middle age is the most neutral figure of all, Stella discovered. She poses no sexual threat nor challenge. For young men, she is of so little interest as to be effectively invisible. For women younger than herself, she is a comforting reminder that they have not themselves got that far yet, thanks be. For those around her own age, she is a reassurance: we are not alone. Accordingly all three groups are reasonably well disposed, the defences are down, an overture will be accepted with equanimity and in some quarters enthusiasm.”

“It was not so much that he had anything against people in general, more that he saw no purpose in deliberately setting up occasions on which you stood around trying to think of something to say. Moreover, the whole process was self-perpetuating; the guest became the host in an act of social revenge and thus it was on for ever. The only sensible course was never to start it in the first place.”

“We open our mouths and out flow words whose ancestries we do not even know. We are walking lexicons. In a single sentence of idle chatter we preserve Latin, Anglo-Saxon, Norse; we carry a museum inside our heads, each day we commemorate peoples of whom we have never heard. More than that, we speak volumes – our language is the language of everything we have read. Shakespeare and the Authorised Version surface in supermarkets, on buses, chatter on radio and television. I find this miraculous. I never cease to wonder at it. That words are more durable than anything, that they blow with the wind, hibernate and reawaken, shelter parasitic on the most unlikely hosts, survive and survive and survive.”

“I know quite well why I became a historian.... It was because dissension was frowned upon when I was a child: 'Don't argue, Claudia,' 'Claudia, you must not answer back like that.' Argument, of course, is the whole point of history. Disagreement; my word against yours; this evidence against that. If there were such a thing as absolute truth the debate would lose its lustre. I, for one, would no longer be interested.”

“To be completely ignorant of the collective past seems to me to be another state of amnesia; you would be untethered, adrift in time. Which is why all societies have sought some kind of memory bank, whether by way of folklore, story-telling, recitation of the ancestors--from Homer to Genesis. And why the heritage industry does so well today; most people may not be particularly interested in the narrative of the past, in the detail or the discussion, but they are glad to know that it is there.”

“How can you not be involved? These are your times, your world, even if those events are on the other side of it. And as for the narrative--you are a part of that, for better or for worse, whether the grey inexorable economic inevitabilities--recessions and recoveries and having less money or more--or the grand perilous global story.”