Quotessence
Home / Authors / Taylor Jenkins Reid

Taylor Jenkins Reid Quotes

Author

Filter quotes by topic

Famous Taylor Jenkins Reid Quotes

“Grief is like a deep, dark hole. It calls like a siren: Come to me, lose yourself here. And you fight it and you fight it and you fight it, but when you finally do succumb and jump down into it, you can't quite believe how deep it is. It feels as if this is how you will live for the rest of your life, falling. Terrified and devastated, until you yourself die. But that is the mirage. That is grief's dizzying spell. The fall isn't never-ending. It does have a ground floor.”

“I would go so far as to say that as human beings, we are less of a “who” and more of a “when.” We are a body. But our atoms were many things before, and they will be many things after. The air I’m breathing is the same air your ancestors breathed. Even what is in my body right now—the cells, the air, the bacteria— it’s not only mine. It is a point of connection with every other living thing, made up of the same kinds of particles, ruled by the same physical laws.”

“That goddamn restaurant had claimed her from the day she was born and now she understood that she would never outrun it. /June rested against the hood of the car, crossed her arms, and continued smoking, taking stock of the new shape of her life. She was overworked and overtired and lonely. She missed the parents who had never truly understood her, missed the man who had never truly loved her, missed the future she thought she had been building for herself, missed the young girl she used to be.”

“I put my back against the wall. I slide down to the floor. I imagine Ryan sitting next to me. I imagine him rubbing my back, the way he did when my grandfather died. I imagine him saying, "She's going to a better place. She's OK." I imagine the way my grandfather might have done this for my grandmother when she lost her own mom or her own grandmother. I imagine my grandmother sitting where I am now, my grandfather kneeling beside her, telling her all the things I want to be told. Holding her the way that only someone in particular can hold you. When I'm her age, when I'm lying in a hospital bed, ready to die, whom will I be thinking of? It's Ryan. It's always been Ryan. Just because I can live without him doesn't mean I want to. And I don't. I don't want to. I want to hear his voice. The way it is rough but sometimes smooth and almost soulful. I want to see his face, with his stubble from never shaving down to the skin. I want to smell him again. I want to hold the roughness of his hands. I want to feel the way they envelop mine, dwarfing them, making me feel small. I need my husband.”

“April 18 Dear Ryan, I'm considering writing to one of those advice columnists about us. That's how confused I still am. When we started this, I thought that I just needed some time away from you. I just needed time to breathe. I needed a chance to live on my own and appreciate you again by missing you. Those first few months were torture. I felt so lonely. I felt exactly what I wanted myself to feel, which was that I couldn't live without you. I felt it all day. I felt it when I slept in an empty bed. I felt it when I came home to an empty house. But somehow, one day, it sort of became OK. I don't know when that happened. I thought at one point that maybe if I learned who you truly are, then I could love you again. Then I thought maybe if I learn who I really am, what I really want, then I could love you again. I have been grasping at things for months, trying to learn a lesson big enough, important enough, all-encompassing enough that it would bring us back together. But mostly, I'm just learning lessons about how to live my life. I'm learning how to be a better sister. I'm learning just how strong my mother has always been. That I should take my grandmother's advice more often. That sex can be healing. That Charlie isn't such a little kid anymore. I guess what I'm saying is that I've started focusing on other things. I don't feel all that desperate to figure us out and fix this. I feel sort of OK that it's not fixed. That's not the direction this is supposed to go, is it? Love, Lauren”

“I want you to stay, Harry. We need you. Me and Connor" I grabbed his hand tighter. “But if you have to go, then go. Go if it hurts. Go if it's time. Just go knowing you were loved, that I will never forget you, that you will live in everything Connor and I do. Go knowing I love you purely, Harry, that you were an amazing father. Go knowing I told you all my secrets. Because you were my best friend.”

“So that night after Wyatt goes to bed, I can't sleep. And I see this piece of paper with this song he's writing and it's clearly about me. It says something about a redhead and mentioned the hoop earrings that I was wearing all the time. And then he had this chorous about me having a big heart but no love in it. I kept looking at the words, thinking, This isn't right. He didn't understand me at all. So I thought about it for a little while and got out a pen and paper. I wrote some things down. When he woke up, I said, "Your chorus should be more like 'Big eyes, big soul/big heart, no control/but all she got to give is tiny love.'" Wyatt grabbed a pen and paper and he said, "Say that again?" I said, "It was just an example. Write your own goddamn song." Simone: "Tiny Love"was the Breeze's biggest hit. And Wyatt pretended he wrote the whole thing.”

“She was trying to prove that she could be just like a man to all of them. To Jimmy. To Lydia. Because the world has decided that to be soft was to be weak, even though Joan's experience being soft and flexible was always more durable than being hard and brittle. Admiring you were afraid always take more guts than pretending you weren't. Being willing to make mistakes goes further than never trying. The world has decided that to be fallible was weak. But we are all fallible. The strong ones are the ones who accepted it.”

“I gave her permission to sound bad. Think of how you sing when you're singing to the radio at full volume. When you can't hear yourself, you're not afraid to really belt it out because you won't have to cringe when your voice breaks or you veer off-key. Daisy needed that kind of freedom. That takes a crapload of confidence. And Daisy didn't actually have confidence. She was always good. Confidence is being okay being bad, not being okay being good.”

“I made a joke, I said, "What are you up to? You want us to jump?" And Nicky said, "Could be fun." I... Let me put it this way: When you find yourself high on the roof of a hotel with a husband who doesn't outright say that the two of you shouldn't jump off, you start to realize you have a lot of problems. This wasn't my rock bottom. But it was the first time I looked around and thought, Oh, wow, I'm falling.”

“You have these lines you won't cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won't instantly come to an end. You've taken a big, black, bold line and you've made it a little bit grey. And now every time you cross is again, it just gets greyer and greyer until one day you look around and you think, There was a line here once, I think.”