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Zia Haider Rahman

Zia Haider Rahman Books

Novelist

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“I have always felt that choice is a rarity in life, that it lies in wait in the crevices of time, to surprise us when we seem to have the least room to maneuver. The grand architecture of our time on earth bears no choice at all, no trace of will, free or otherwise. We do not choose our mothers ,anymore they choose the children they bear. We do not choose the circumstances of our parents , the home and inheritance the unearned talents or the circumstances of our formative infant years when our brains congeal into a steady state and the neural pathways set us on the course of our lives.Most of our time we heed unwritten rules . They may be rules of our culture and conditioning, patterns imprinted on the firmament of our youth, or they may be rules knitted into our brains woven with DNA by our biological parents, but they are all still rules by which we live by which we are governed. That notion of choice as we move through the world , the free will that we will claim so proudly is only the reflection of the body’s foregone direction, an image in the distorting mirror of ego a trick of the light.”

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“Another effect of news articles is that the events, however frightening, can thus be consigned to the box of things that happen to other people, not us, and that we are doing things to bring them under control. This is the diet we're fed all the time, so we acculturate to it. And news must, in turn, follow the form to which we - our bodies - are accustomed: describe the event, incite the fear, then say how it's being addressed, how the herd's alpha males are dealing with it.”

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“By delivering experience, novels can alter the stance we adopt toward news - not much, I'm sure, but they can make it a little more difficult for us to consign "other people" to our tidy boxes. Widening our imaginative life might - it's not hard to imagine - also develop our ability to contemplate counterfactuals and our capacity to speculate about how things might differ from how they're being represented.”

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“There are a variety of ways in which a wedge is driven between the reality of the world outside, the motion of atoms, and our conception of what is there. Some of it has to do with what we're told, some of it to do with sensibilities that might be described as cultural, some of it to do with habit, some to do with heuristics we, as Homo sapiens, invoke because we cannot do otherwise - to name just a few of the impediments.”

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“I am at my happiest when I'm problem solving and a large part of writing is for me a lovely labor in problem solving. Every act of discovery in writing involves a process of figuring out why I'm not seeing what I need to see. Niggling feelings, discomforts, a sense that you've forgotten or overlooked something, a sudden curiosity about what if here? - these are priceless. They are the bases of problems and lead the way.”

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“The mathematics is the odd one, odd because I'm not sure how to measure its effect. It is so fundamental to my outlook on everything and yet I'm not even sure how. It must be because in my formative years it was everything to me, the single place of beauty in my life, and of breathtaking beauty at that. I still believe that pure mathematics is the most creative thing that humanity does, though I am no longer a part of it.”

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“My parents have always had a very limited command of English. Of course, when we first arrived in the UK, none of us spoke English, but it's much easier for a child to pick up languages. But the problem was not a lack of English; the problem was poor communication in any language. Remember, my parents came from rural Bangladesh with little education. It was alarming for them, I'm sure, to watch their boy very quickly exhaust whatever ability they had to teach the child something.”

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“My parents were entirely unpredictable and what they said very unreliable, which meant I became very attuned to the range of other signals human beings give out - body language or what Freud graphically called the "betrayal that oozes out of him at every pore," betrayal, that is, of what they really mean. I have that to this day, and it makes conversation exhausting because I'm listening not just to the words of the person in front of me but also to their body. It's as if there are two radio stations on at the same time.”

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“The technology broadens an individual's social field massively and at the same time makes it much, much easier and cheaper to consume gossip. We have the same appetite for gossip, but now its acquisition is even easier than grabbing sugary and fatty foods off a supermarket shelf. And look where that got us. When you watch people in public desperately punching away at their machines, it's hard not to think of addictions.”

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“There have been studies concluding that most people mostly know people only within their own social class - although such a conclusion would hardly surprise anyone. I think there's evidence to suggest that it's even narrower - the great majority of friends of Ivy Leaguers, for instance, are Ivy Leaguers. This narrows the pool of people who can write fiction cutting across class boundaries that's informed by their own personal experience.”

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“Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.”

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“One problem I have with talking about myself in the context of class divisiveness is that I can be - and indeed have been - used by others to demonstrate its absence and that it's only a matter of hard work to move upward socially. After all, how could I complain about anything, if the retort is: "But look where you got to? It can't be all that bad." But this is nonsense as an argument quite aside from its empirical absurdity because no single case can invalidate a statistical claim.”

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“I had a tough childhood, yes. I was born in rural Bangladesh to parents who had had no education beyond high school. We moved to the UK where I grew up in poverty, in some of the worst conditions in a developed economy, before moving to the projects - heaven - and I went to unremarkable schools before going to university. My father was a bus conductor first and then a waiter, and my mother a seamstress.”

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“I had an indefatigable curiosity about everything. But why should my fate have depended upon that? Why does the curiosity of a child born into the lowest classes have to overcome everything put in his or her way to mute that curiosity, when a child born to parents with access to the advantages of life will have his meager curiosity kindled and nurtured? The unfairness is horrifying when it is properly understood as an unfairness meted out on children, on infants, on babies.”

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“There was a period of a few months, however, when I had a dreadful physical pain. I had just started writing a particular section of the novel and was initially worried that it would affect my work. I was woken by awful nightmares; I saw several doctors, tests were performed, nothing came of them, and the medics were mystified.It was two days after I finished writing the section that the penny dropped. The pain had suddenly disappeared and so too had the nightmares. I'd got things muddled. The pain and the nightmares were both psychosomatic.”

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“The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.”

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