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Quote by Lucy Maud Montgomery

“Rilla was fond of italics, as most girls of fifteen are.”

Quote by Lucy Maud Montgomery

Work

The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Letters and Memoirs (Including The Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy): Anne of Green Gables, Anne of Avonlea, Anne of Windy Poplars, Rainbow Valley, Rilla of Ingleside, Emily of New Moon, The Story Girl, The Golden Road, Pat of Silver Bush, The Blue Castle & many more

The Collected Works of Lucy Maud Montgomery is a comprehensive compilation of the author's extensive literary output. It encompasses 20 novels, over 170 short stories, poems, letters, and memoirs. The collection is particularly celebrated for its Anne Shirley series, which includes classic titles like 'Anne of Green Gables' and 'Anne of Avonlea'. Additionally, it features the Chronicles of Avonlea and the Emily Starr trilogy. The works within this collection offer a rich tapestry of stories set in the fictional province of Prince Edward Island, showcasing Montgomery's distinctive narrative style and enduring appeal. more

Author

Lucy Maud Montgomery
Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author renowned for her children's literature, particularly the 'Anne of Green Gables' series. Her works are celebrated for their refreshing style and profound insights into human nature. more

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“He had also the reputation of being a bit of a lady killer. But that probably accrued to him from his possession of a laughing, velvety voice which no girl could hear without a heartbeat, and a dangerous way of listening as if she were saying something that he had longed all his life to hear.”

“In the political jargon of those days, the word "intellectual" was an insult. It indicated someone who did not understand life and was cut off from the people. All the Communists who were hanged at the time by other Communists were awarded such abuse. Unlike those who had their feet solidly on the ground, they were said to float in the air. So it was fair, in a way, that as punishment the ground was permanently pulled out from under their feet, that they remained suspended a little above the floor.”

“And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.”

“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.”