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Quote by Sandra Tsing Loh

“All autobiography is fiction.”

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Sandra Tsing Loh is an American writer born on February 11, 1962. Her works encompass novels, plays, and essays, known for their unique humor and profound social insights. more

“All plays stem from personal experience. I was reading psychoanalytic lit for a couple of years, obsessively, in depth, and I got involved in analyzing everyone around me. . . . Eventually, all my friends' eyes began to glaze over when I started talking this way, and I got the hint that there might be something comical in it.”

Way Years Play Might Eye Reading Talking Couple Involved My Friends Depth Crafts Stem Lit Hints Personal Experiences Analyzing Comical Psychoanalytic

Author:John Patrick Shanley

“The tools I handle are words. They may be unappreciated or misunderstood, but they tell us who we are.”

May Tools Handle Crafts Who We Are Misunderstood

Author:Tina Howe

“. . . it is true that language and forward movement in the cinema are jolly hard to reconcile. It's a very, very, difficult thing to do. . . . There is still a place in the cinema for movies that are driven by the human face, and not by explosions and cars and guns and action sequences . . . there's such a thing as action and speed within thought rather than within a ceaseless milkshake of images.”

“GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.”

People Way Feels Writing Ideas Play Character Wanted Born Alive Becoming Surprise Arguing Tricks Crafts Stakes Within You Smarter Observers Becoming More Surprise Me Collision

Author:Peter Hedges

“. . . I do think that deep down, a lot of my work is about people trying to make reasonable accommodations of situations that are insane or absurd. . . . At first I thought the events had power in themselves, that I would just present them. I really wasn't aware of the things that finally became central issues to me - the shifting alliances, the way people hardly even know they've shifted. That part of [A QUESTION OF MERCY] is very familiar to me in terms of my other plays.”

People Thinking Knows Way Trying Firsts Play Term Situation Issues Events Mercy Familiar Absurd Insane Crafts Reasonable Shifting Alliances Deep Down Accommodations

Author:David Rabe

“All reviews should carry a Surgeon General's warning. The good ones turn your head, the bad ones break your heart.”

Should Heart Turns Break Crafts Reviews Warning Surgeons Break Your Heart

Author:David Ives

“I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.”

Thinking Writing Years Firsts Ideas Play Come Up Finished Technique Crafts Canvas Elephants Dots

Author:Wallace Shawn

“A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.”

Ifs Want Play Facts Choices Ready Letters Gender Crafts Rejection Chalk Rejection Letters

Author:Jane Anderson

“[I was] particularly eager to give voice to the women of my mother's place and generation, who grew up in turn-of-the-century, privileged New England households, who really never had a chance to flower and assess themselves and find out who they were. More than anything, I wanted to give voice to the sort of anger that women of that generation could never express for themselves.”

Giving Wanted Mother Turns Voice Chance Generations Century Flower Grew Grew Up England Crafts Household Privileged New England

Author:Tina Howe

“I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story. So I think there's a middle ground that I try to strike... away from where everyone else seems ready to go, which is, setup, payoff. You know, He's afraid of water, oh, and at the end he's swimming in water - oh, my God. I hate that stuff.”

Quote by Sandra Tsing Loh

Author

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