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Quote by Ljupka Cvetanova

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The New Land

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Ljupka Cvetanova

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“Anthropodermic bibliopegy had been a specter on the shelves of libraries, museums, and private collections for over a century. Human skin books -mostly made by 19th century doctor bibliophiles - are the only books that are controversial not for the ideas they contain, but for the physical makeup of the object. They repel and fascinate, and their very ordinary appearances mask the horror inherent in their creation.”

BooksRare BooksDark ArchivesHuman Skin Books
Book:Dark Archives: A Librarian's Investigation into the Science and History of Books Bound in Human Skin
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“Anthropodermic books tell a complicated and uncomfortable take about the development of clinical medicine and the doctoring class, and the worst of what can come from the collision of acquisitiveness and clinical distancing.”

BooksArchivesRare BooksDark ArchivesHuman Skin Books
Book:Dark Archives: A Librarian's Investigation into the Science and History of Books Bound in Human Skin
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“On arrival at Orly Airport, Fritz and Magda hired a taxi which drove them to the city. They saw before them a metropolis crowned with triumphal architecture and magnificent monuments. The first Parisian landmark that caught their eye was the majestic Eiffel Tower and, in the background, on a distant hill, the white church of Montmartre. They immediately opted that their hotel could wait and asked the driver to take them around the city, though they knew that this would cost them a whole day's budget. What they began to see was simply spectacular: wide areas edified with splendid monuments, fantastic fountains, enchanting gardens and bronze statues representing the best exponents who flourished in the city, amongst whom artists, philosophers, musicians and great writers. The River Seine fascinated them, with boatloads of tourists all eager to see as much as they could of the city. They also admired a number of bridges, amongst which the flamboyant Pont Alexandre III. The driver, a friendly, balding man of about fifty, with moustaches à la Clemenceau, informed them that quite nearby there was the famous Pont Neuf which, ironically, was the first to be built way back in 1607. They continued their tour...”

FranceParis1960sEiffel TowerLouvreMontmartreMalteseMusée D OrsayPigalleSacré Coeur
Book:Memories of Recurrent Echoes
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“The twins spend their second day in Paris at the Louvre. ''... Really great geniuses, eh Fritz? One could barely call them human beings.'' '' As a matter of fact, I don't think they were... just superior beings from some other planet... perhaps from the same one that gave us Mozart and Plato, for it's impossible that a mere human being create such monumental works.'' ''Wonderful...”

FranceParisPlato1960sArtsArtists LifeLouvreMozartMalteseMusée D Orsay
Book:Memories of Recurrent Echoes
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“In the following days the twins went all over the city; they visited more museums, particularly the avant-garde ones. Whenever Magda spotted a Van Gogh her eyes would fill with tears, remembering the aberrational agony this great artist had gone through. The work that stirred her most was one of those many self-portraits of the artist in a sober and tormented mood; a painting built by many heavy brushstrokes of dense undiluted paint applied spirally giving the impression that the image was materializing from a turquoise background. Magda spent a full ten minutes before one such portrait. When she returned back to earth she noticed a young man beside her, as absorbed with the painting as she was and whose face looked familiar.”

FranceParis1960sArtsArtists LifeLouvreVan GoghVincent Van GoghMalteseMusée D Orsay
Book:Memories of Recurrent Echoes
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