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Quote by K.J. Bishop

“There were no milestones in the Copper Country. Often a traveler could only measure the progress of a journey by the time it took to get from each spoiled or broken thing to the next: a half-day’s walk from a dry well to the muzzle of a cannon poking out of a sand-slope, two hours to reach the skeletons of a man and a mule. The land was losing its battle with time. Ancient and exhausted, it visited decrepitude on everything within its bounds, as though out of spleen.”

Quote by K.J. Bishop

Book:The Etched City
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The Etched City

This novel delves into the complexities of a highly advanced urban environment, examining the societal and psychological impacts of urban life in a speculative future. more

Author

K.J. Bishop

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“As they gently lowered it into the earth, all stared silently at the coffin but one: a young woman of twenty-five who glanced absentmindedly into the distance where an unknown figure stood – watching, waiting, his face buried in the shadow of his hat. Whether by intuition or paranoia she could not tell, but the presence of the man troubled her and her eyes were fixed on his motionless body and would not stir. Tourists rarely came to a town as small and uneventful as theirs, let alone to visit a funeral where they did not introduce themselves and only beheld the spectacle from afar.”

MysteriousSuspenseFuneralFantasy RomanceForebodingOpening Paragraph
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“Carcass. Cut in half. Stunner. Slaughter line. Spray wash. These words appear in his head and strike him. Destroy him. But they’re not just words. They’re the blood, the dense smell, the automation, the absence of thought. They burst in on the night, catch him off guard. When he wakes, his body is covered in a film of sweat because he knows that what awaits is another day of slaughtering humans.”

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Book:Tender Is the Flesh
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“Jaron stood on top of a hill, staring blankly into the distance and taking in every detail of the scene unfolding below him. To his back the sun was setting, casting its last rays over the field below and painting the sky around him in a vast array of red and gold. He shuddered slightly as a cool breeze blew gently through the tall grass of the field, nipping sharply at his cheeks which had gone numb from standing exposed to the elements for too long. It was a seemingly perfect fall day, and he couldn’t help but feel that it was somewhat ironic that it was on this day life as he knew it was coming to an end.”

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“About an hour outside of Chicago, as you drive north toward Wisconsin, there is a man sitting in the basement of an old farmhouse, wringing his pale, white hands. In fact, his entire nude body is covered in a white dust, a powder, a singular tear running down his right cheek. His overweight body hangs in folds over the edges of his frame, the tiny, brown stool straining under the weight. There is a singular light bulb overheard, and it is doing a poor job illuminating the cold concrete, but maybe that’s not such a bad thing. (Clown Face)”

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Book:Spontaneous Human Combustion
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“The family heard that the meteor shower would be visible from the cornfields of northern Illinois, just twenty minutes away from their sedentary suburban bliss, but Robert had been sleepless for weeks already, images flickering across his dreams—shadows and voices, a burning sensation running all the way to his core. They were mother and father, sister and brother—nothing special, rows of houses the same, but in blue, or yellow, or brick. But for the boy, half of a set of twins, all the magic and wonder rested in his cells—the darkness and vengeance in his sister, Rebecca. So as they snuffed out the lights of the family sedan, hand in hand down a dirt path the boy had mapped out, trust so easy to come by in this family—the girl sparked danger in her squinting eyes, as the boy’s ever widened to the stars, and possibility. Fresh cut grass lingered under buzzing power lines that disappeared as they stretched out to the horizon, a moist smell ripe with cleanliness and godliness—a hint of something sour underneath. The girl grinned as the rest held their noses, so eager she was to embrace death. (How Not to Come Undone)”

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Book:Spontaneous Human Combustion
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“[Opening Lines] It’s quiet here. But then again, it’s supposed to be quiet. Cemeteries, even those in the heart of a city, tend to be full of silence. The sounds of the neighborhood – barking dogs, laughing children, even the traffic on the adjacent streets – are swallowed up by the silence of the graveyard. The walls around the perimeter of the cemetery – imposing redbrick walls six feet high and adorned with a black iron fence – have something to do with it, I suppose. I’m a historian, not an acoustical engineer.”

Opening ParagraphReunion A Story
Book:Reunion: A Story: A Novella
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“The snores alone were quite a study, varying from the mild sniff to the stentorian snort, which startled the echoes and hoisted the performer erect to accuse his neighbor of the deed, magnanimously forgive him, and wrapping the drapery of his couch about him, lie down to vocal slumber. After listening for a week to this band of wind instruments, I indulged in the belief that I could recognize each by the snore alone, and was tempted to join the chorus by breaking out with John Brown's favorite hymn: "Blow ye the trumpet, blow!”

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Book:Hospital Sketches
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“Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away. Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish." I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.”

Civil War Narrative19th Century Medicine
Book:Hospital Sketches
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