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Quote by RJ Arkhipov

“For a long moment we didn't move. We just stared at each other. So much time had passed since our eyes last met. So much had changed. I turned away and pressed my head to the cold window pane. I traced my initials onto the misted glass and, as they began to fade, He reached out his fingers and retraced my signature. I watched it fade once more and felt his moist fingers brush against my lips. He let them linger there a moment, then replaced them with his own lips. Then I woke up.”

Quote by RJ Arkhipov

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RJ Arkhipov

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“El poeta Novalis, uno de los mayores representantes del romanticismo alemán, afirmaba que la filosofía se identifica con la nostalgia, ya que también en ella está presente el deseo ilimitado ―precisamente, nostálgico― de tener «el hogar en todas partes». En efecto, al igual que la nostalgia, la filosofía se sustenta en la escisión que se pone de manifiesto entre la vida interior y la exterior, entre la vida finita y la infinita, siendo ella, en cuanto tal, un «signo de la diversidad esencial entre el yo y el mundo, un signo de la incongruencia entre el alma y la acción». No es, pues, de tiempos felices el deseo de querer abrazar la filosofía.”

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Book:Principios de filosofía de la praxis
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“Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.”

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“I have a habit of being an archaeologist of my own past, a sentimental collector of personal artefacts which may at first glance appear random, but each of which holds a unique significance. As the years pass me by, I find that the number of objects within my possession begins to accumulate. A torn map. A sealed letter. A boat full of paper animals. Each item encapsulates within itself a story, akin to an outward manifestation of my inner journey.”

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Book:The Desire for Elsewhere
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“There was an irony and a paradox here: Franco thought of Pontito constantly, saw it in fantasy, depicted it, as infinitely desirable – and yet he had a profound reluctance to return. But it is precisely such a paradox that lies at the heart of nostalgia – for nostalgia is about a fantasy that never takes place, one that maintains itself by not being fulfilled. And yet such fantasies are not just idle daydreams or fancies; they press toward some fulfillment, but an indirect one - the fulfillment of art. These, at least, are the terms that D. Geahchan, the French psychoanalyst, has used. With reference in particular to the greatest of nostalgies, Proust, the psychoanalyst David Werman speaks of an 'aesthetic crystallization of nostalgia' - nostalgia raised to the level of art and myth.”

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Book:An Anthropologist on Mars: Seven Paradoxical Tales
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