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Quote by Libby Copeland

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The Lost Family: How DNA Testing Is Uncovering Secrets, Reuniting Relatives, and Upending Who We Are

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Author

Libby Copeland

Libby Copeland is a seasoned journalist, born in 1976. She is known for her in-depth investigative reporting and sharp insights into complex social issues. more

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“[H]e was one of those people who got to the top of an organisation through luck, connections, the indulgence of superiors and that sort of carelessness towards others that the easily impressed termed ruthlessness and those of a less gullible nature called sociopathy. But sometimes, just through his sheer unthinking brusqueness and inability to think through the consequences of a remark, he said what everybody else was only thinking. A comic poet working in obscene doggerel.”

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“Bulgakov always loved clowning and agreed with E. T. A. Hoffmann that irony and buffoonery are expressions of ‘the deepest contemplation contemplation of life in all its conditionality’. It is not by chance that his stage adaptations of the comic masterpieces of Gogol and Cervantes coincided with the writing of The Master and Margarita. Behind such specific ‘influences’ stands the age-old tradition of folk humour with its carnivalized world-view, its reversals and dethronings, its relativizing of worldly absolutes—a tradition that was the subject of a monumental study by Bulgakov’s countryman and contemporary Mikhail Bakhtin. Bakhtin’s Rabelais and His World, which in its way was as much an explosion of Soviet reality as Bulgakov’s novel, appeared in 1965, a year before The Master and Margarita. The coincidence was not lost on Russian readers. Commenting on it, Bulgakov’s wife noted that, while there had never been any direct link between the two men, they were both responding to the same historical situation from the same cultural basis.”

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