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Quote by Robertson Davies

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The Cunning Man

This book delves into the intricate mind of a cunning protagonist, showcasing their intelligence and adaptability in various situations. more

Author

Robertson Davies
Robertson Davies

Robertson Davies was a Canadian novelist known for his wit and humor. His works often set in the Canadian society, exploring the relationship between individuals and society. Davies' works include the 'Amos Fortune' series and the 'Crown of the North' series, which are highly appreciated by readers. more

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“Canada, having few indigenous prejudices, has been compelled to import them from elsewhere, duty-free, and it is the rare Canadian who is not shaken, at some time in the year, by "old, unhappy, far-off things / And battles long ago", like Wordsworth's solitary reaper. We are a nation of immigrants, and not happy in our minds.”

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“Nowadays when a poet with one privately printed book can have his next three years taken care of by a Guggenheim fellowship, a Kenyon Review fellowship, and the Prix de Rome, it is hard to remember what chances the poet took in that small-town world, how precariously hand-to-mouth his existence was. And yet in one way the old days were better; [Vachel] Lindsay after a while, by luck and skill, got far more readers than any poet could get today.”

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“Modern" poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ?”

EndsPastWishProcessImpossibleModernCenturyProductsEndurePoetry IsTransitionExtensionsRomanticismRomantic PoetryModern Poetry
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“Imagism was a reductio ad absurdum of one or two tendencies of romanticism, such a beautifully and finally absurd one that it is hard to believe it existed as anything but a logical construction; and what imagist found it possible to go on writing imagist poetry? A number of poets have stopped writing entirely; others, like recurring decimals, repeat the novelties they commeced with, each time less valuably than before. And there are surrealist poetry, and political poetry, and all the othe refuges of the indigent.”

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“Anyone who has read Yeats's wonderful Autobiography will remember his Sligo shabby, shadowed, half country and half sea, full of confused romance, superstition, poverty, eccentricity, unrecognized anachronism, passion and ignorance and the little boy's misery. Yeats was treated well but was bitterly unhappy; he prayed that he would die, and used often to say to himself: "When you are grown up, never talk as grown-up people do of the happiness of childhood.”

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