“I'm most alive when I'm on set. Whether I'm imagining it on my head, I know what I want to capture.” Quote by Storm Saulter
“As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."” PeopleKnowsNeedsTwoSometimesWholeCharacterWantedYoungCertainThreeStuffRealizingRoomsIssuesShotsScriptsShootingFilmmakerLayersEditingPreciseThree TimesExplaining Author:Storm Saulter
“A lot of the times the first take was the best, because the actors are not analyzing themselves as much; they just do it. I believe in happy accidents and I'm not necessarily into actors getting the dialogue exactly as I wrote it; I'm much more into them understanding the motivations and have it come out in a natural way, and maybe catch something that I didn't expect.” WayFirstsBelieveMotivationActorsI BelieveUnderstandingNaturalI Believe InAccidentsDialogueJust Do ItAnalyzingHappy Accidents Author:Storm Saulter
“You can rely on your team to do their jobs, but you have to carry the torch and do anything you need to, not just to shoot and finish, but to get the film seen. You have to know within yourself that you're going to have to take this. Don't sit back and think other people in your team are going to make it happen now because you've done your part. You have to carry that torch, and no one is going to care as much as you do, and nobody is going to live with it as long as you are because it's your film.” PeopleThinkingKnowsNeedsLongDoneHappensCareJobsFilmTeamRelyMake It HappenTorches Author:Storm Saulter
“I could've had moments when I could've said, "You know what? Let me make another film; this is taking a long time to get distributed." It can be difficult to stay passionate. You have to be that passionate and be prepared for it to get what it deserves. Make sure you have a really good team going in at the beginning and don't have people in your team that aren't there 100%.” PeopleKnowsLongSaidMomentsFilmDifficultTeamLong TimeDeserveLet MePreparedPassionateBe PreparedGood Team Author:Storm Saulter
“I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.” ThinkingLongStoriesFilmActingQualityStandardsRemainsDecentConsistentEtcAnthologyGood Change Author:Neil Marshall
“I think for a film that has real theatrical potential a sales agent is key. For a film that may find it tougher in the American marketplace, such as many of the docs in the world competition that may not be competing for deals - any subtitled film has a harder time in this marketplace - for those films I don't know that a sales agent necessarily helps for the kinds of smaller deals that may or may not be offered.” ThinkingKnowsWorldKindMayRealHelpingFilmDealsKeysHarderCompetitionAgentsCompetingMarketplaceTheatrical Author:Thom Powers
“In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.” ThinkingWayRunningFilmConsciousnessSeeingWeekNew YorkModelsImportanceHarderFinancialHearingImpressionReleaseDigitalPlatformsViewersDocumentariesFestivalsNew York TimesTheatricalCircuits Author:Thom Powers
“For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.” YearsSometimesHardReasonSeemsFilmRoomsTakenProgressSeriousSevenScreensFilmmakerProgrammingEditingDocumentariesFestivalsSeven YearsEditsDeadlineRushingTorontoWork In ProgressPremieresSundance Author:Thom Powers
“You can start a documentary with just a camera, as opposed to a fiction film where you need actors, a crew, a script, a lot more start-up resources. It may be self-perpetuating.” NeedsMaySelfFilmActorsFictionResourcesCamerasScriptsCrewDocumentariesPerpetuating Author:Thom Powers
“It's a reality of film festivals that you can't see everything. You're dividing your time between seeing films and utilizing that unique space to have meetings with people that you can't otherwise.” PeopleRealityFilmSpaceSeeingUniqueMeetingsFestivalsDividingFilm FestivalsUtilizing Author:Thom Powers