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Quote by Franklyn Ajaye

“In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it.”

Quote by Franklyn Ajaye

Book:Comic Insights: The Art of Stand-up Comedy

Work

Comic Insights: The Art of Stand-up Comedy

This book delves into the intricacies of stand-up comedy, offering insights into the craft of humor and the evolution of the genre. It covers topics such as comedic theory, the development of comedic routines, and the impact of stand-up on popular culture. more

Author

Franklyn Ajaye, born on May 13, 1949, is a renowned comedian. His career began in the 1970s, and he gained widespread recognition in the comedy industry with his unique sense of humor and exceptional performance skills. more

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“On a good night, I'm just into the flow and seeing the pictures and words in my mind clearly before I say them. On a bad night, which to be honest are nowhere near as bad as when I was starting out, I just concentrate on performing the routines correctly. I focus on my delivery.”

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“I have no desire to be hip to the latest black slang and do the stereotypical black thing. I was a Richard Pryor fan, and I have used profanity in my act. But when it becomes a whole thing that defines blacks, we're limiting ourselves. The enemy is us.”

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“It's better to play to the host as though in a real conversation and let the audience listen in- which they are.”

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“Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.”

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Book:Comic Insights: The Art of Stand-up Comedy

Source: Comic Insights: The Art of Stand-up Comedy

“I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.”

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“Bombing teaches you how badly you want to become a comedian. Because unless it's a burning desire, you'll quit when the consistent bombing becomes too much to take.”

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“Obviously the audience has veto power signified by whether they laugh or not, but you-not them-retain the ultimate power to decide what they're going to get the opportunity to laugh at.”

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Book:Comic Insights: The Art of Stand-up Comedy

Source: Comic Insights: The Art of Stand-up Comedy