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Quote by Christine Bieselin Clark

“I love what I do and I love being part of the storytelling process. And I love the technological advancements. It was the thing that kept me going on every 20-hour day, 7 days a week. You have to love it to do that.”

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Christine Bieselin Clark

Christine Bieselin Clark, born on June 28, 1972, is an individual whose identity and profession remain unclear. more

“I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"”

People Thinking Firsts Film Community Fans Goodness First Time Finished Comic Shooting Excellent Beloved Epic Radar Comic Con

Author:Christine Bieselin Clark

“Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex and black. And that Versace collection that hit the runway in the spring, we went, "Oh my gosh!" and then they came out and said it was "Tron" inspired. I love it! To me, there are no insults in that whatsoever. I love that other people are inspired by the movie.”

People Said Different Black Spring Fingers Inspired Finished Instance Shooting Insult Collections Exposed Gloves Runway Oh My Gosh Versace Latex

Author:Christine Bieselin Clark

“The first time we ever lit up a suit was on Garrett. He was the first finished costume that we had, the "Sam" character. And it brought tears to my eyes, because you're working so hard to make something happen and you're just in there, and you're delirious with sleep deprivation. To see it work, to see his reaction, made it all worthwhile.”

“I don't want to toot all of our horns, but the entire design team and this department really pioneered a bunch of things that have never been done before. I think it's a beautiful look. I think it deserves recognition quite frankly.”

Thinking Want Looks Done Beautiful Team Design Deserve Bunch Recognition Department Horns

Author:Christine Bieselin Clark

“It [making tron: Legacy movie] was everything. I got pulled into a different country, in a different language, and a different society. In a movie, it's a completely different feel. In car design you know you have one year, and you have to go step by step. This is an organized catastrophe.”

Knows Feels Years Different Country Language Steps Car Design Legacy Organized Catastrophe Different Countries Different Languages

Author:Daniel Simon

“At any given day you have to be ready with everything. It can be that the director says "this one's done and I need a new one." And you're like, "oh my god! I only have two months, no way!" So your design approach is completely different. You develop, let's say six things at the same time, and try to be ready everyday to give it away.”

Way Needs Giving Trying Two Different Done Given Design Ready Months Directors Six Approach Everyday Two Months

Author:Daniel Simon

“Sam's light-cycle, the car, and the jets are new of course, and other stuff. The new ones are sleeker and so contemporary, that if you could put them in a car design show they would hold up.”

Ifs Shows Light Courses Stuff Car Design Contemporary Cycles Jet

Author:Daniel Simon

“The funny thing is that Sydney, who worked on the first film [Tron], developed a bike that had an exposed rider, but they couldn't do it because the computers weren't fast enough, so they gave it a roof, which became the iconic one. Ironically what we do now is basically what they envisioned in the first one but couldn't do technically. I mean this a full on homage in every aspect.”

Firsts Mean Enough Film Computer Aspect Exposed Roof Bike Funny Things Riders Homage Iconic Sydney

Author:Daniel Simon

“You know, boy versus girl. But she's a tough warrior, so I almost treated it like unisex. But it makes a difference how tall the actors are, because I needed to know that if Olivia Wilde sits in a car that the director, Joe Kosinski can still get the angle he wants, as opposed to maybe in another vehicle than Jeff Bridges has to sit in. So that was fascinating. Because in a real car you change everything and adjust it. But here you have one shot.”

Ifs Knows Want Stills Real Girl Actors Differences Boys Car Needed Directors Shots Tough Treated Warrior Bridges Making A Difference Fascinating Tall Vehicle Angle Versus Wilde Olivia Unisex

Author:Daniel Simon

“Every time you see an interior, where somebody has a cockpit, is the real existing thing. Every time you see the exterior zooming by, it's completely CGI.”

Real Interiors Exterior Cgi Cockpit

Author:Daniel Simon

Quote by Christine Bieselin Clark

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