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Quote by Robert Aris Willmott

“Romance is the truth of imagination and boyhood. Homer's horses clear the world at a bound. The child's eye needs no horizon to its prospect. The oriental tale is not too vast. Pearls dropping from trees are only falling leaves in autumn. The palace that grew up in a night merely awakens a wish to live in it. The impossibilities of fifty years are the commonplaces of five.”

Quote by Robert Aris Willmott

Work

Pleasures,objects and advantages of literature

This work examines the various ways in which literature enriches human experience, focusing on the intrinsic pleasures derived from reading, the tangible and intangible objects that literary works engage with, and the broader advantages that a literary education confers upon individuals and society. It discusses how literature serves as a source of enjoyment, a means of understanding the world, and a tool for personal and collective growth. more

Author

Robert Aris Willmott

Robert Aris Willmott (1809-1863) was a prominent British author known for his works that depicted rural life and social changes, which were highly appreciated by readers. more

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“A book becomes a mirror, with the author's face shining over it. Talent only gives an imperfect image,--the broken glimmer of a countenance. But the features of genius remain unruffled. Time guards the shadow. Beauty, the spiritual, Venus,--whose children are the Tassos, the Spensers, the Bacons,--breathes, the magic of her love, and fixes the face forever.”

“Books, of which the principles are diseased or deformed, must be kept on the shelf of the scholar, as the man of science preserves monsters in glasses. They belong to the study of the mind's morbid anatomy, and ought to be accurately labelled. Voltaire will still be a wit, notwithstanding he is a scoffer; and we may admire the brilliant spots and eyes of the viper, if we acknowledge its venom and call it a reptile.”

“Many books belong to sunshine, and should be read out of doors. Clover, violets, and hedge roses breathe from their leaves; they are most lovable in cool lanes, along field paths, or upon stiles overhung by hawthorn, while the blackbird pipes, and the nightingale bathes its brown feathers in the twilight copse.”

“One interesting feature of criticism is seen in the ease with which it discovers what Addison called the specific quality of an author. In Livy, it will be the manner of telling the story; in Sallust, personal identification with the character; in Tacitus, the analysis of the deed into its motive. If the same test be applied to painters, it will find the prominent faculty of Correggio to be manifested in harmony of effect; of Poussin, in the sentiment of his landscapes; and of Raffaelle, in the general comprehension of his subject.”

“Few footprints of the great remain in the sand before the ever-flowing tide. Long ago it washed out Homer's. Curiosity follows him in vain; Greece and Asia perplex us with a rival Stratford-upon-Avon. The rank of Aristophanes is only conjectured from his gift to two poor players in Athens. The age made no sign when Shakespeare, its noblest son, passed away.”