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Quote by Wole Soyinka

“The Egba kingdom was one of the very last to be ceded to the British protectorate. It remained almost an independent entity within what is now known as Nigeria, simply because of its own traditional structure of governance.”

Quote by Wole Soyinka

Author

Wole Soyinka is a renowned Nigerian writer, playwright, poet, and political activist. Born on July 13, 1934, in Abeokuta, Nigeria, Soyinka is known for his profound social commentary and critical literary works. His writings span various forms, including drama, poetry, and fiction, often exploring themes of race, class, colonialism, and African identity. more

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“I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.”

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“The process of decolonisation in Nigeria was a very untidy one. The British, when they were leaving finally and knew exactly who they wanted to take over, they wanted pliant government, figures, structures, they wanted to continue indirectly in effect their control over much of their colonial possessions and this was one of the very early causes of conflict.”

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“The British inclined more towards the feudal mentality, the feudal structures rather than the more radical progressive elements who would re-shape society and institute pretty egalitarian systems of governance with opportunity for even disadvantaged people and so I found that decolonisation was not just the end of political struggle in Nigeria.”

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“The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice. The proof of that is the ability of a dictator to snuff out the life of a writer.”

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“Writers throughout the ages have one weapon, which is literature, but they also have their responsibilities as a citizen when literature does not seem to suffice. I mean, they are not mutually exclusive. One continues to write anyway but if you are called out to demonstrate, if people are being killed in the streets, it's hardly the moment to go for your pen and paper, you know, help in one way or the other.”

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“I think most writers would like a quiet space, complete isolation, in which they control their own time. Spaces of creativity in which there's very little interruption.”

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“As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.”

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“I think I'm a very lazy writer and by that I mean that I do not battle, I don't struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don't feel a compulsion to write.”

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“I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they've finished or covered at least a number of those pages. No, I'm not like that. I have to be ready. It has to gestate it for quite a while and then it's ready to burst forth.”

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“For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.”

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