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Quote by Felix Adler

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Felix Adler
Felix Adler

Felix Adler, born on August 13, 1851 in Germany and died on April 24, 1933 in the United States, was an American sociologist and philosopher, known as a pioneer of the American social service movement. He is renowned for his contributions to charity, social justice, and human welfare. more

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“When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.”

IfsWayWarWholeYoungSidesMillionsCuttingGenerationsSacrificeYouthFlowerWasteDestructionDistanceAffairMythSuperiorsOfficialsSurvivorMeaninglessBoth SidesWwiFlanders
Author:Robert Hughes
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“For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.”

PeopleFeelingsPastMovingLeftChurchSpaceViewsOne ThingFieldsMachinesHorseTrainDuesSurfaceFasterLandscapeRelativeConquestSuccessionUnfoldingSeemingExaggeratedHorizontalMotifsSpires
Author:Robert Hughes
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“Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so – otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.”

WorldNeedsMadeStillsPoliticalDealsCenturyPaintingIntellectualModelsObjectivesNeverthelessRejectedAffirmationTransformingDissentNineteenth CenturyTransforming The WorldPainting And Poetry
Book:The Shock of the New
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