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Quote by Edward McPherson

“It is a quintessential example of the whirling kinetics that drive a Keaton film, in which not just the medium but the human body- the permutations of the sinews, the shock of the limbs -seems infinitely elastic, an unruly instument to be wilded with a cheeky kind of grace.”

Quote by Edward McPherson

Work

Buster Keaton: Tempest In A Flat Hat

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Author

Edward McPherson

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“We, that is, the traditionalists like myself, use the term ‘‘modernism’’ not in a vague way as characterizing just things that happen to be around today, but as a particular way of looking at the world, a worldview that began in the Renaissance in the West with such components as Renaissance humanism, rationalism, et cetera. As I have mentioned already, modernism rejects the primacy of absolute and ultimate truth transcending the human order and descend- ing upon the human realm from the Divine Order. It places man himself at the center of the stage as ‘‘the absolute.’’ In a sense it absolutizes the human being in his or her earthly reality. Usually it does not come out and say so explicitly, but that is what it really means; that is, it takes the absolute away from God and puts it on the human plane, and therefore makes human reason, human perceptions, human interests the criteria of reality, of knowledge, of the truth, of the goal of human life. Therefore, as a consequence it substitutes the significance of the temporal and the transient for the abiding and the eternal.”

“Bah!” Magnus scoffed. “Humans always blame dwarves. A baby goes missing and it was a dwarf that stole it. A princess runs off with a second son of a king and it was a dwarf who lured her to a deep prison. And when they find her with the prince—lo, she was rescued! “A king is stabbed in the back in his own chapel, and a princess’s tower is turned into a death trap,” Royce called back to them. “Friends are betrayed and trapped in a prison—yes, I can see your surprise. Where do they get such ideas?” “Damn his elven ears,” Magnus said.”