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Quote by Salley Vickers

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Where Three Roads Meet: The Myth of Oedipus

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Author

Salley Vickers
Salley Vickers

Salley Vickers is a renowned British novelist born in 1948. Her works are known for their profound psychological insights and delicate portrayal of human emotions. Vickers' novels often explore moral dilemmas and the complexities of human feelings. more

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“Heartland Now that we’ve given our hearts away With the bric-a-brac, we want them back. Now we look for them secondhand, Someone else’s, in the old songs, The slowly unfolding novels We never had time for. Hearts That taught themselves to fly; …overstuffed hearts, still leaking Downy secrets like feathers. We want someone to say, ‘I give you my heart’, meaning, ‘Summer and winter’, meaning ‘All my time in the this world’…”

“Paul Farmer, the renowned physician who has spent his life trying to cure the world's sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis of our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity.”

“We were wanderers on a prehistoric earth, of an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toilo. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us - who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would before an enthousiastic outbreak in a madhouse.”