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Quote by Dita Von Teese

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Burlesque and the Art of the Teese / Fetish and the Art of the Teese

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Dita Von Teese

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“She saw how he was staring at it, the bright red hue beneath her bonnet. She could not bear to see the way he was looking at her—right through her—without seeing her. He did not see a woman. He did not see Jane, the woman he had been so passionate with two days before. He saw… Jane swallowed hard and looked away, hating the weakness of her spirit. She was more than this, a wilting flower. She was stronger than this. But damn it, this hurt. It hurt because he was the man responsible for making her burn. For making her feel like a woman. It hurt because it had been a trick. An illusion. And it hurt most of all because he did not see her, the woman she was behind the unfashionable spectacles and garish hair.”

LoveBeautyDisbelief
Book:Sinful
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“Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?”

CultureBeautySocietyFeminismSelf EsteemMarketingEqualitySexualityAdvertisingMagazinesBody ImageCosmeticsPlastic SurgeryFashion IndustryDouble StandardsObjectificationImagesMass CultureCosmetic SurgeryDiet Industry
Book:The Beauty Myth
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