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Ain't Enough to Look Human

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Abhijit Naskar

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“That time wen u are on the road and come across the storm, but within 3 minuets it’s all over as if nothing happened and u can now see the beauty of nature(the beauty of the sun,the shape of the clouds,feel the after rain breeze ). That is why it’s Even a challenge to explain to someone about that storm or after storm bcoz they didn’t experience it the same or they were not there .and that is why it’s important sometimes to categorize. The interpretation of events in life depends on your abilities.”

LoveLifeRealityPainPeaceUnderstandingInterpretationRemembrance
Author:Nkahloleng Eric Mohlala
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“Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.”

LoveReasonEarthPoetryImaginationFantasyPoetWordsLoverEgyptComprehensionMadmenLunaticHelenDevils
Book:A Midsummer Night’s Dream
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“He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. “Was it?” “Yes. What about I am so bigheaded?” “No, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. “Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" “I’ve got it!” Apollo announced. “I am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.”

HumorApolloHaikuArtemis
Book:The Titan’s Curse
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“Baudrillard’s positioning of the first stage of simulation during the Renaissance: by reproducing appearances accurately, not only does the perspective window initiate the indefinite manipulation of the environment, but also the predominance of vision in the West. Now understood as a geometrical calculus of distances and proportions, space is born, a theatrical ambience where life unfolds according, and thanks to, the distance separating the viewer from the stage. ... On the other hand, no understanding of reality is possible in the absence of a gap distancing the subject from a world within which s/he used to feel completely merged and subjugated (Descartes, [1637] 2006); just as no understanding of the self is to the same extent possible in the absence of a gap distancing the subject from its own image in the looking glass (Lacan, [1936] 2006). An effect of representation, the perception of reality and individuality both owe to the perspective window their initiation and realization.”

RealityRenaissance
Book:Baudrillard for Architects
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“To select only monuments supresses at one stroke the reality of the land and that of its people, it accounts for nothing of the present, that is, nothing historical, and as a consequence, the monuments themselves become undecipherable, therefore senseless. What is to be seen is thus constantly in the process of vanishing, and the Guide becomes, through an operation common to all mystifications, the very opposite of what it advertises, an agent of blindness.”

RealityMythologyBlindnessMonuments
Book:Mythologies
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