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Quote by Louise Penny

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A Fatal Grace

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Author

Louise Penny
Louise Penny

Louise Penny is a Canadian author renowned for her mystery novel series, set in the backdrop of Quebec, Canada. Her works are known for their intricate plotlines and nuanced psychological portrayals. more

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“He killed, his sword shearing, shield and horse a ram, pushing in, and further in, opening a space by force alone for the momentum of the men behind him. Beside him a man fell to a spear in the throat. To his left, an equine scream as Rochert's horse went down. In front of him, methodically, men fell, and fell, and fell. He split his attention. He swept a sword cut aside with his shield, killed a helmed soldier, and all the while flung out his mind, waiting for the moment when Touar's lines split open. The most difficult part of commanding from the front was this--staying alive in the moment, while tracking in his mind, critically, the whole fight. Yet it was exhilarating, like fighting with two bodies, at two scales.”

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Book:Captive Prince: Volume Two
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“His hair was a dark gold and worn long enough to reach his chin. It had been pulled back into a tight queue for riding and bound with a leather strip, but the wind had pulled it loose and now it flew around his face. Perhaps on another man, the style might have been unflattering. But on Linden Chevalier it only added something more alluring to his presence, and as he lifted a black-gloved hand to push it back, the set of his jaw and twist of his mouth made him look sharp and wicked.”

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Book:Once Upon a Midwinter's Kiss
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“They were close enough that she could finally see him clearly. Her eyes took in the sight of the Scot, standing tall in full Highland dress. “Oh, delightful,” she muttered to herself. She was at her worst, with seaweed hair streaming water, while Wren had apparently decided to put on his Sunday best. And didn’t he look absolutely magnificent! If her heart had not already been doing troublesome things before, it was pounding in brazen excitement as she looked at him now. This was her husband. Dear Lord. This was her husband. He was always a very striking man. The cleft of his chin. His sturdy Roman nose. The softness of his dark, sooty lashes over those gorgeous blue eyes. His height, his breadth, his width. His girth? Briar almost giggled. Shush, she told herself. But now? Gracious, he was unbearably handsome. There was something about a man in a kilt. Especially the way Wren was wearing it. The dark green Renfrew plaid, shot through with its strands of red and white and gold, was already a lovely thing. Against Wren's form, contrasted against his dark hair, it was a god's finery. Every pleat, every fold fitting his leanly muscled physique. She swallowed hard, then took another step.”

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Book:Lady Briar Weds the Scot
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“The ‘healthy’ sign, for Barthes, is one which draws attention to its own arbitrariness—which does not try to palm itself off as ‘natural’ but which, in the very moment of conveying a meaning, communicates something of its own relative, artificial status as well. …Signs which pass themselves off as natural, which offer themselves as the only conceivable way of viewing the world, are by that token authoritarian and ideological. It is one of the functions of ideology to ‘naturalize’ social reality, to make it seem as innocent and unchangeable as Nature itself. Ideology seeks to convert culture into Nature, and the ‘natural’ sign is one of its weapons. Saluting a flag, or agreeing that Western democracy represents the true meaning of the word ‘freedom’, become the most obvious, spontaneous responses in the world. Ideology, in this sense, is a kind of contemporary mythology, a realm which has purged itself of ambiguity and alternative possibility.”

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Book:Literary Theory: An Introduction
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