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Quote by Bangambiki Habyarimana

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The Great Pearl of Wisdom

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Bangambiki Habyarimana

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“Upendeleo na msamaha ni sumu na baraka ya usuluhishi miongoni mwa watu kwa mpangilio huo. Yaani, upendeleo ni sumu ya usuluhishi, msamaha ni baraka ya usuluhishi. Usuluhishi wenye msamaha, usiokuwa na upendeleo wowote, ni dawa ya uhusiano mwema miongoni mwa watu. Upendeleo ni sumu ya usuluhishi – Msamaha ni kiuasumu cha usuluhishi.”

“I told Chris [Farley] and the writers, "Look. Whatever you do, the one thing to remember is: don't start from the ending [of the "van down by the river" sketch]. Start from the beginning, so that you have somewhere to go." Almost every time Chris did that sketch after I left SNL, he started by breaking the table. I just became one of those dangerous examples of becoming addicted to the big laugh. You become addicted as a performer to that big moment, and you ask yourself, Why am I not just doing my big thing that gets the big reaction? Why am I not just standing up there and doing that?”

“I told Chris [Farley] and the writers, "Look. Whatever you do, the one thing to remember is: don't start from the ending [of the "van down by the river" sketch]. Start from the beginning, so that you have somewhere to go." Almost every time Chris did that sketch after I left SNL, he started by breaking the table. It just became one of those dangerous examples of becoming addicted to the big laugh. You become addicted as a performer to that big moment, and you ask yourself, Why am I not just doing my big thing that gets the big reaction? Why am I not just standing up there and doing that?”

“Don't concentrate on becoming a better humor writer, just concentrate on being the best writer that you can become. If you're funny, the work will end up being funny. And if you're not funny, the work will still end up being good. Concentrate on being the most honest writer you can be, and let everything else follow--because it will.”

“Interviewer (Mike Sacks): Many of the readers of this book weren't born when you started writing humor. In fact, many of the readers' grandparents hadn't yet been born. If anyone in this book is entitled to give young humor writers advice, it's you. Irving Brecher: I would say that if you think you're funny, then do it. As long as people genuinely respond to what you produce, keep at it. If their laughs seem genuine, keep writing. And don't stop. Never stop. On the other hand, if nobody likes what you create, well...find another profession. Like interviewing.”