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Quote by Sir P.S. Jagadeesh Kumar

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Sir P.S. Jagadeesh Kumar

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“Seriously? I wouldn't need to be rescued. I would find out which way was downhill and locate the nearest water source to follow or I'd climb high and look for gaps in tree lines due to roads, power cables, or train tracks. At night, I'd look for artificial light sources..." I paused when I noticed the smirk had been totally wiped off Jack's face. "Do you want me to tell you how I'd read the night sky? I can do that, too. Oh, and I also know how to make a fire out of sticks and build a rudimentary shelter. I joined an orienteering club when I was a kid to learn outdoor survival skills, and every Christmas I asked Santa for survival gear." Silence. "Boom." I opened my hand and closed it again, giving Jack my most satisfied smile. "Mic drop.”

CapabilitiesSurvival SkillsStrong Woman Main Character
Book:'Til Heist Do Us Part
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“After a while Mary said, “Zsadist?” “Yeah?” “What are those markings?” His frowned and flicked his eyes over to her, thinking, as if she didn’t know? But then . . . well, she had been a human. Maybe she didn’t. “They’re slave bands. I was . . . a slave.” “Did it hurt when they were put on you?” “Yes.” “Did the same person who cut your face give them to you?” “No, my owner’s hellren did that. My owner . . . she put the bands on me. He was the one who cut my face.” “How long were you a slave?” “A hundred years.” “How did you get free?” “Phury. Phury got me out. That’s how he lost his leg.” “Were you hurt while you were a slave?” Z swallowed hard. “Yes.” “Do you still think about it?” “Yes.” He looked down at his hands, which suddenly were in pain for some reason. Oh, right. He’d made two fists and was squeezing them so tightly his fingers were about to snap off at the knuckles. “Does slavery still happen?” “No. Wrath outlawed it. As a mating gift to me and Bella.” “What kind of slave were you?” Zsadist shut his eyes. Ah, yes, the question he didn’t want to answer. For a while it was all he could do to force himself to stay in the chair. But then, in a falsely level voice, he said, “I was a blood slave. I was used by a female for blood.” The quiet after he spoke bore down on him, a tangible weight. “Zsadist? Can I put my hand on your back?” His head did something that was evidently a nod, because Mary’s gentle palm came down lightly on his shoulder blade. She moved it in a slow, easy circle. “Those are the right answers,” she said. “All of them.” He had to blink fast as the fire in the furnace’s window became blurry. “You think?” he said hoarsely. “No. I know.”

TherapyMaryBlack Dagger BrotherhoodZsadistNalla
Book:Father Mine
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“How much of my body is really me? My face is me, for sure. Anyone who looked at my face would know it was me.Even with my hair wet and drawn back it's me. But after that? If I showed myself a picture of myself from the shoulders down, would I be sure it was me? Could I identify myself that way? I close my eyes and ask myself what my feet look like. I only kind of know. Same with my hands. I have no idea what my back looks like. I let it define me, but I can't even define it.”

LifeRhiannonPage 215Reao
Book:Another Day
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“Regardless of the medium, performance artists explicitly explore and enact their holistic autonomies and interiorities (gendered, spiritual, emotional, and political), not simply their bodily corporeality. If this process takes place within a recorded electronic or digital environment, it is the medium that is virtual, unreal or disembodied, not the human performer within it. In the performance arts, whether in a theater, on a street corner, or on a computer monitor, the medium is not the message (and never has been); the performer is. [. . .] The dislocation and fragmentation of the body in digital performance is an aesthetic praxis which deconstructive critics have hungrily grasped and mythologized, holding up the virtual body as the central icon (immaterial, disembodied), whereas in actuality, it operates as an index, as another trace and representation of the always already physical body.”

Page 215Digital Performance
Book:Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation
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