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Quote by Oscar Wilde

Work

The Picture Of Dorian Gray

The story follows the protagonist Dorian Gray, whose portrait ages while he remains youthful, leading to a dark exploration of the consequences of unchecked desires. more

Author

Oscar Wilde
Oscar Wilde

Oscar Wilde, born on October 16, 1854, in Ireland, and died on November 30, 1900, was a renowned Irish writer, playwright, and poet. His works are known for their wit, satire, and unique style, with notable works including 'The Picture of Dorian Gray' and 'Lady Windermere's Fan'. more

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“Some arts move in time, like music; others are presented in space, like painting. In both cases the organizing principle is recurrence, which is called rhythm when it is temporal and pattern when it is spatial. Thus we speak of the rhythm of music and the pattern of painting; but later, to show off our sophistication, we may begin to speak of the rhythm of painting and the pattern of music. In other words, all arts may be conceived both temporally and spatially. The score of a musical composition may be studied all at once; a picture may be seen as the track of an intricate dance of the eye. Literature seems to be intermediate between music and painting: its words form rhythms which approach a musical sequence of sounds at one of its boundaries and form patterns which approach the hieroglyphic or pictorial image atthe other. The attempts to get as near to these boundaries as possible form the main body of what is called experimental writing. We may call the rhythm of literature the narrative, and the pattern, the simultaneous mental grasp of the verbal structure, the meaning or significance. We hear or listen to a narrative, but when we grasp a writer’s total pattern we “see” what he means.”

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“Picasso was right to start painting the dreary and dejected. The blues. He looked out the window at his own misery. I could respect that. But these painters of fruit thought only of their own mortality, as though the beauty of their work would somehow soothe their fears of death. There they all were, hanging feckless and candid and meaningless, paintings of things, objects, the paintings themselves just things, objects, withering toward their own inevitable demise.”

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“You can’t selectively numb your anger, any more than you can turn off all lights in a room, and still expect to see the light.”

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“The professional iconoclast is such either because he does not understand the nature of images and rites, or because he does not trust the understanding of those who practice iconolatory or follow rites. call the other man an idolater or superstitious is, generally speaking, only a manner of asserting our own superiority. Idolatry is the misuse of symbols, a definition needing no further qualifications. The traditional philosophy has nothing to say against the use of symbols and rites ; though there is much that the most orthodox can have to say against their misuse. It may be emphasized that the danger of treating verbal formulae as absolutes is generally greater than that of misusing plastic images.”

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“We have shown that art is essentially symbolic, and only accidentally illustrative or historical ; and finally that art, even the highest, is only the means to an end, that even the scriptural art is only a manner of "seeing through a glass, darkly," and that although this is far better than not to see at all, the utility of iconography must come to an end when vision is "face to face.”

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