Quotessence
Home / Quotes / Quote by CJ Hauser

Quote by CJ Hauser

“Doctors and nurses offer unconditional care, they treat whomever it is their job to heal. In order to be ethical they must be impartial. But to be in love is to be partial. It is to be specific. All romantic love is conditional, in that the condition is the persons essential nature. Their themness. If your love for a person isn’t predicated on the condition that they are them, right now as they are, and is instead predicated on their need for that love, or on your thinking that you could do a good job of making that person happier or better, then you are a nurse. You are a robot hero. And maybe you can save the day but you are not a lover. You are not in love.”

Quote by CJ Hauser

Create image

Author

CJ Hauser

Browse famous quotes and profile details for CJ Hauser. more

You May Also Like

“There had to be something new, some fresh angle. As the rain pattered down around him, Kapenda thought. What was the weirdest thing he'd seen since this all started? He'd been in the tiny town of Chew Stoke a few weeks earlier, filming the remains of a vehicle that had been washed into a culvert and whose driver had died. In Grovehill, no one had died yet but there were abandoned cars strewn along the streets and surrounding tracks, hulking shapes that the water broke around and flowed over in fractured, churning flurries. That was old. Every television station had those shots. He'd been there the year before when the police had excavated a mud-filled railway tunnel and uncovered the remains of two people who had been crushed in a landslide. What they needed was something like that here, something that showed how weak man's civilized veneer was when set against nature's uncaring ferocity. He needed something that contrasted human frailty and natural strength, something that Dali might have painted - a boat on a roof, or a shark swimming up the main street. He needed that bloody house to collapse. ("Into The Water")”

PhotographyPhotographerDisasterJournalismFloodPhotojournalismSalvador Dali
Book:Best New Horror: Volume 25
Create image

“A dandy," wrote Charles Baudelaire, "must be looking in his mirror at all times, waking and sleeping." Dali could easily have become the living proof of Baudelaire's dictum. But the literal mirror was not enough for him. Dali needed mirrors of many kinds: his pictures, his admirers, newspapers and magazines and television. And even that still left him unsatisfied. So one Christmas he took a walk in the streets of New York carrying a bell. He would ring it whenever he felt people were not paying enough attention to him. "The thought of not being recognised was unbearable." True to himself to the bitter end, he delighted in following Catalonian television's bulletins on his state of health during his last days alive (in Quiron hospital in Barcelona); he wanted to hear people talking about him, and he also wanted to know whether his health would revive or whether he would be dying soon. At the age of six he wanted to be a female cook - he specified the gender. At seven he wanted to be Napoleon. "Ever since, my ambition has been continually on the increase, as has my megalomania: now all I want to be is Salvador Dali. But the closer I get to my goal, the further Salvador Dali drifts away from me." He painted his first picture in 1910 at the age of six. At ten he discovered Impressionist art, and at fourteen the Pompiers (a 19th century group of academic genre painters, among them Meissonier, Detaille and Moreau). By 1927 he was Dali, and the poet and playwright Federico Garcia Lorca, a friend of his youth, wrote an 'Ode to Salvador Dali.' Years later Dali claimed that Lorca had been very attracted to him and had tride to sodomize him, but had not quite managed it. Dali's thirst for scandal was unquenchable. His parents had named him Salvador "because he was the chosen one who was come to save painting from the" deadly menace of abstract art, academic Surrealism, Dadaism, and any kind of anarchic "ism" whatsoever." If he had lived during the Renaissance, his genius would have been recognized at an earlier stage and indeed considered normal. But in the twentieth century, which Dali damned as stupid, he was thought provocative, a thorn in the flesh. To this day there are many who misunderstand the provocativeness and label him insane. But Dali repeatedly declared: "... the sole difference between me and a madman is the fact that I am not mad!" Dali also said: "The difference between the Surrealists and me is that I am a Surrealist" - which is perfectly true. And he also claimed: "I have the universal curiosity of Renaissance men, and my mental jaws are constantly at work.”

SurrealistDandyMegalomaniaSalvador DaliDaliCharles Baudelaire
Book:Salvador Dalí: 1904-1989
Create image