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Quote by Zadie Smith

“For me the question is not: Should we abandon fiction? (Readers will decide that—are in the process of already deciding. Many decided some time ago.) The question is: Do we know what fiction was? We think we know. In the process of turning from it, we’ve accused it of appropriation, colonization, delusion, vanity, naiveté, political and moral irresponsibility. We have found fiction wanting in myriad ways but rarely paused to wonder, or recall, what we once wanted from it—what theories of self-and-other it offered us, or why, for so long, those theories felt meaningful to so many. Embarrassed by the novel—and its mortifying habit of putting words into the mouths of others—many have moved swiftly on to what they perceive to be safer ground, namely, the supposedly unquestionable authenticity of personal experience.”

Author

Zadie Smith

Zadie Smith is a British novelist known for her distinctive literary style and profound social insights. Her works cover a range of themes including race, class, gender, and identity, and have been widely appreciated by readers. more

“The old—and never especially helpful—adage write what you know has morphed into something more like a threat: Stay in your lane. This principle permits the category of fiction, but really only to the extent that we acknowledge and confess that personal experience is inviolate and nontransferable. It concedes that personal experience may be displayed, very carefully, to the unlike-us, to the stranger, even to the enemy—but insists it can never truly be shared by them. This rule also pertains in the opposite direction: the experience of the unlike-us can never be co-opted, ventriloquized, or otherwise “stolen” by us. (As the philosopher Anthony Appiah has noted, these ideas of cultural ownership share some DNA with the late-capitalist concept of brand integrity.) Only those who are like us are like us. Only those who are like us can understand us—or should even try. Which entire philosophical edifice depends on visibility and legibility, that is, on the sense that we can be certain of who is and isn’t “like us” simply by looking at them and/or listening to what they have to say. Fiction didn’t believe any of that. Fiction suspected that there is far more to people than what they choose to make manifest. Fiction wondered what likeness between selves might even mean, given the profound mystery of consciousness itself, which so many other disciplines—most notably philosophy—have probed for millennia without reaching any definitive conclusions. Fiction was suspicious of any theory of the self that appeared to be largely founded on what can be seen with the human eye, that is, those parts of our selves that are material, manifest, and clearly visible in a crowd. Fiction—at least the kind that was any good—was full of doubt, self-doubt above all. It had grave doubts about the nature of the self.”

Imagination Fiction Empathy Novels Cultural Appropriation Fascinated To Presume

Author:Zadie Smith

“One of the main privileges of being a writer is that you go around and about. Then, you translate those scenes you capture in mind into words powered by your spicy imagination. Translators translate what's already been translated.”

Life Writing Imagination Writers Authors Translators

Book:It's Hard to Please Vandanya: The Suitcase

Source: It's Hard to Please Vandanya: The Suitcase

“The problem is that we create an image of ourselves in our childhood and youth (often at the urging of parents, siblings or friends), and subsequently attempt to graft reality onto this image. More often than not, the graft doesn't take and the result is bewilderment and disappointment.”

Imagination Ideals Ideology Dogmatism

Book:How to Get Rich: One of the World's Greatest Entrepreneurs Shares His Secrets

Source: How to Get Rich: One of the World's Greatest Entrepreneurs Shares His Secrets

“Don't worry about hurting me, if that's what you're afraid of. I want to get hurt. At least I´ll feel something for a change.”