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Quote by Frank Ocean

“The markings on your surface Your speckled face Flawed crystals hang from your ears I couldn't gauge your fears I can't relate to my peers I'd rather live outside I'd rather chip my pride than lose my mind out here Maybe I'm a fool Maybe I should move and settle Two kids and a swimming pool I'm not brave (Brave) I'm not brave I'm living over city And taking in the homeless sometimes, I've Been living in an idea An idea from another man's mind Maybe I'm a fool To settle for a place with some nice views (nice views) Maybe I should move, settle down Two kids and a swimming pool I'm not brave I'd rather live outside I'd rather live outside I'd rather go to jail I've tried hell (it's a loop) What would you recommend I do? (The other side of the loop is a loop) This, this fe-, this feel, this feel, this feels This feels how molly must feel This feels how molly must feel How molly must feel This feels how molly must feel How molly must feel This is not my life It's just a fond farewell to a friend It's just a fond farewell to a friend This is not my life It's just a fond farewell to a friend It's not what I'm like It's just a fond farewell (brave) Speaking of nirvana, it was there Rare as the feathers on my dash from a phoenix There with my crooked teeth and companion sleeping, yeah Dreaming a thought that could dream about a thought That could think of the dreamer that thought That could think of dreaming and getting a glimmer of God I be dreaming a dream in a thought That could dream about a thought That could think of dreaming a dream Where I cannot, where I cannot Less morose and more present Dwell on my gifts for a second A moment one solar flare would consume, so why not Spin this flammable paper on the film that's my life High flights, inhale the vapor, exhale once and think twice Eat some shrooms, maybe have a good cry, about you See some colors, light hang glide off the moon I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you, anything for you (In the dark) I'd do anything for you, anything for you”

Quote by Frank Ocean

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Author

Frank Ocean
Frank Ocean

Frank Ocean is an American singer, songwriter, and music producer, born on October 28, 1987. He is known for his unique musical style and profound lyrics, with notable works including 'Nostalgia, Ultra' and 'Blonde'. Ocean's music blends various genres, including R&B, hip-hop, and pop. more

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FeelingsFearPsychologyCrazyCommunicationAbuseShameTraumaMental IllnessConfusionTherapyTeamworkSecretsPsychiatryDissociative Identity DisorderDiagnosisStigmaDissociationPsychotherapyAmnesiaMultiplicityMultiple Personality DisorderRitual AbuseMultiple PersonalitiesMental DisorderVoicesDissociative AmnesiaTherapistMpdDdnosHearing VoicesIntrusive ThoughtsAnpInternal VoicesMental ProblemsChild Identity
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“Déjà-vu Ik ontmoet steeds weer dezelfde vrouw; tandenpoetsend dwaalt zij in de spiegel terwijl ik me scheer boterhammen eet zij, avondeten samen met mij en vraagt dan of het smaakt; vaak vind ik het toilet bezet (de kat kan het niet zijn) naast mij in de bioskoop - het licht dooft bij de laatste lichtreklame - trilt soms herkenning op mijn netvlies, vormt een klank zich in mijn keel; maar als zij aan vrienden (die haar kennen zeker) mijn allerlaatste nieuws vertelt sta ik werkelijk versteld. Dit kan toch geen toeval meer zijn! ― J. Bernlef”

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“And she knew that although she wasn't a great beauty, she had her own charms. More than one man had commented favorably on her dark brown hair and blue eyes. These moderate attractions, however, were nothing compared to Christopher Phelan's golden splendor. He was as fair as Lancelot. Gabriel. Perhaps Lucifer, if one believed that he had once been the most beautiful angel in heaven. Phelan was tall and silver eyed, his hair the color of dark winter wheat touched by the sun. His form was strong and soldierly, the shoulders straight and strong, the hips slim. Even as he moved with indolent grace, there was something undeniably potent about him, something selfishly predatory.”

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“A small silver-handled shaving brush... a folding-blade razor... an empty soap dish... a lidded porcelain box with a silver top. Unable to resist, Beatrix lifted the top and looked inside. She found three pairs of cuff links, two in silver, one in gold, a watch chain, and a brass button. Replacing the lid, Beatrix picked up the shaving brush and experimentally touched her cheek with it. The bristles were silky and soft. With the movement of the soft fibers, a pleasant scent was released from the brush. A spicy hint of shaving soap. Holding the brush closer to her nose, Beatrix drew in the scent... masculine richness... cedar, lavender, bay leaves. She imagined Christopher spreading lather over his face, stretching his mouth to one side, all the masculine contortions she had seen her father and brother perform in the act of removing bristle from their faces.”

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“There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.”

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“Where is Albert?" "He'll be here momentarily. I asked our housekeeper to fetch him." Christopher blinked. "She's not afraid of him?" "Of Albert? Heavens, no, everyone adores him." The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look. And then the housekeeper returned with an obedient and well-groomed dog trotting by her side. "Albert?" Christopher said. The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly. Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled. "I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly. She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine." To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him." "He's much better behaved than before," she said. "You can take him anywhere now." Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly. "He's very much worth saving. Anyone could see that." The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.”

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