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Quote by Faraz Ahmed Rizwan

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Faraz Ahmed Rizwan

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“This reminds me of old times,” he said, and his lashes lifted. As his gaze drifted over me, it was focused but all too brief, because he looked away, a muscle working along his jaw. “Kind of.” A flush raced across my cheeks as I switched out the ball for a new one. He was right—this was like all the other times I’d cleaned him up. Well, when I was younger, I tried to clean him up, but had no idea what I was doing, but as we grew older, and he got into fights defending me or for some other reason, this was our routine. Except I was pretty sure that when his gaze roamed over me just now, he’d checked out my breasts, and that was definitely something that hadn’t happened before.”

“She has shared her hurt with me, and now a little bit of it is mine. This thing she couldn't bear alone, I can bear some of it, I can be hurt, too, and here's the thing you'd never expect about this kind of second-hand-hurt - it feels so good, it makes you feel whole, it makes you feel necessary, and even if you don't realize it right away, you'll find, as time passes, as the bearing of the hurt further intoxicates you, makes you more fully hers and she more fully yours, that you'll do anything to keep it; you'll say anything, you'll believe anything, you'll compromise anything, you'll build your self-worth around that tiny grain of hurt she lent you, and in return you'll hold her chin in your hand and run your thumb over the corner of her mouth and tickle the back of her earlobe with your finger and whisper to her over and over and over that "it's okay, it's okay, it's okay -”

“We can't pack down hurt, nor can we off-load it to someone else while maintaining our authenticity and integrity. Most of us have been on the receiving end of one of these outbursts. Even if we have the insight to know that our boss, friend, colleague, or partner blew up at us because something tender was triggered and it's not actually about us, it still shatters trust and respect. Living, growing up, working, or worshipping on eggshells creates huge cracks in our sense of safety and self-worth. Over time, it can be experienced as trauma.”

“I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.”