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Quote by Gretel Ehrlich

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A Match to the Heart: One Woman's Story of Being Struck By Lightning

This memoir offers a candid look into the life-altering event of being struck by lightning and the subsequent journey of healing and self-discovery. The author shares her experiences, emotions, and the challenges she faced, providing readers with a unique perspective on resilience and the human spirit. more

Author

Gretel Ehrlich
Gretel Ehrlich

Gretel Ehrlich is an American writer known for her profound insights into the relationship between humans and the natural world. Her works are typically presented in the form of poetry and prose, exploring the complex relationship between humans and the natural world. more

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“When mastering drapery drawings in Verrocchio's studio, Leonardo also pioneered sfumato, the technique of blurring contours and edges. It is a way for artists to render objects as they appear to our eye rather than with sharp contours. This advance caused Vasari to proclaim Leonardo the inventor of the 'modern manner' in painting, and the art historian Ernst Gombrich called sfumato 'Leonardo's famous invention, the blurred outline and mellowed colors that allow one form to merge with another and always leave something to our imagination.' The term 'sfumato' derives from the Italian word for 'smoke,' or more precisely the dissipation and gradual vanishing of smoke into thin air . . . With no sharp lines, enigmatic glances and smiles can flicker mysteriously.”

“Someone interrupted him: "Modern art was a movement directed against the bourgeoisie and against its world." "Yes," said Jaromil, "but if it had really been logical in its negation of the contemporary world, it would have had to reckon with its own disappearance. It would have had to know—and it would have had to wish—that the revolution would create a totally new kind of art, an art in its own image." "So you approve," said the woman with the alto voice, "of pulping Baudelaire's poetry, prohibiting all modern literature, and shoving the cubist paintings in the National Gallery into the cellar?" "A revolution is an act of violence," said Jaromil, "that's well known, and surrealism itself knew very well that old-timers have to be brutally kicked off the stage, but it didn't suspect that it was one of them.”