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Quote by Kenneth Eade

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Beyond All Recognition

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Kenneth Eade

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“Perhaps the greatest charm of tramp-life is the absence of monotony. In Hobo Land the face of life is protean—an ever changing phantasmagoria, where the impossible happens and the unexpected jumps out of the bushes at every turn of the road. The hobo never knows what is going to happen the next moment; hence, he lives only in the present moment. He has learned the futility of telic endeavor, and knows the delight of drifting along with the whimsicalities of Chance”

TravelHoboThe RoadTrampJack London
Book:The Road
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“Look at your “hobophobia.” If there is one group of people our majority population fear and despise it is rootless, nomadic individuals with no stake in society. They offend simply by “opting out”—of property, commitments, beliefs, relationships, expectations. Many such people have turned their backs on a society they don’t understand or can’t cope with. They have absconded from the pressures to compete, to perform, to sell out, to join in the dance of bureaucracy, money worries, cohabitation, housekeeping, procreation, you-name-it. Society is right to fear such people because they embody the sane rejection of many insanely onerous “civilized” values that would collapse under scrutiny. Strangely, though, society also makes an idol of Jesus, apparently a nomad who had no possessions or family ties, who walked away from a promising career in carpentry, a hobo if ever there was one. (We haven’t, however, made a popular hero out of Diogenes, the ultimate dirty Greek hobo.)”

JesusHoboDiogenesHobophobia
Book:Keeping Ourselves in the Dark
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“En route to California I had a few drinks with an American executive for Falstaff Brewing Company who said he'd been a hobo from '37 to '39. He talked about a friend of his who had lost his legs beneath a freight train and died. He told me he knew something about farm labor contractors. "Killers," he called them. And said it again, "Killers.”

CaliforniaMexicoFarmingMigrantsHobosHoboMexicansMigrant Workers
Book:The Road to Yuba City: A Journey into the Juan Corona Murders
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“Nastavio sam da njuškam letnji suton. Nema adrenalina bez benzina. Točkovi su strugali, frikcija se pojačavala. Zavirivao sam u senovite prolaze tržnih centara: profesionalni lažnjaci se uvaljuju profesionalnim amaterima. Dauntaun je pomirljivo tonuo u daun. Prizor liči na razglednicu unutrašnjosti. Glavna vena Nišvila je definitivno predozirana bednjikavim gruvom. Ovaj grad je elementarna nepogoda. Sve je manje fliperana i klubova sa džuboks aparatima. Sve je manje poslastičara u kojima služe bozu i kadif. Sve je manje knjižara u kojima se prodaju knjige. Sve je manje dobrih stripova i porno časopisa na buvljacima. Sve je manje bioskopa koji ne zvrje prazni i gde dronjavo platno ne liči na paravan u seoskim ambulantama. Nema patine u Nišvilu, osim one švercovane - za brzu prodaju i brzu upotrebu. Jebi ga, ponekad mi nedostaje moji grad.Sve je više neona na pogrešnim mestima, i sve je više pogrešnih mesta, i sve je više ljudi koji umiru od želje da se zabave i ispričaju nekome kako je zabavno bilo. "Niko ovde nije poludeo od zabave", rekla je Kinki kada je kupila nove uredjaje za koje nije bilo dovoljno da ih uključiš u struju pa da prorade. Morao si da povezuješ komponente, tumačeći nacrtana uputstva da bi se, napokon, pojavila slika i zvuk - jasniji i čistiji od prethodnih slika i zvukova.”

HoboNis
Book:Hobo
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