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The Truth and Other Lies

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Sascha Arango

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“A conversation between Telemachus & Circe: "That is how things go. You fix them, and they go awry, and then you fix them again.” “You have a patient temper.” “My father called it dullness. Shearing, cleaning out the hearths, pitting olives. He wanted to know how to do such things for curiosity’s sake, but he did not want to actually have to do them.” It was true. Odysseus’ favorite task was the sort that only had to be performed once: raiding a town, defeating a monster, finding a way inside an impenetrable city. “Perhaps you get it from your mother.” He did not look up, but I thought I saw him tense. “How is she? I know you speak to her.” “She misses you.” “She knows where I am.” The anger stood out plain and clean on his face. There was a sort of innocence to him, I thought. I do not mean this as the poets mean it: a virtue to be broken by the story’s end, or else upheld at greatest cost. Nor do I mean that he was foolish or guileless. I mean that he was made only of himself, without the dregs that clog the rest of us. He thought and felt and acted, and all these things made a straight line. No wonder his father had been so baffled by him. [Odysseus] would have been always looking for the hidden meaning, the knife in the dark. But Telemachus carried his blade in the open.”

“Every morning, the newspapers are crammed full of human-interest stories, and on television we see one human after another. When animals do make an occasional appearance, they are ascribed human characteristics to make them palatable. And people only talk about themselves. Even if the subject is natural phenomena like earthquakes, tsunamis or cherry blossoms coming into full bloom, everything is seen in terms of the impact on people. Nothing delights people more than to talk about people dying or being killed.”