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Quote by Akira Toriyama

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Akira Toriyama
Akira Toriyama

Akira Toriyama, born on April 5, 1955, is a renowned Japanese artist known for his unique artistic style and imaginative storytelling. He is best known for his work on the Dragon Ball series. more

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“Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.”

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Book:Use Of Weapons
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“Akemi (pronounced Ah-kay-mee- I thought it was one of the most beautiful names I'd ever heard) didn't seem too interested in me; her attention was focused on her movie. Emiko had told me that Akemi was a sophomore, but she barely looked old enough for middle school with her hair tied back in a bow, and pastel kawaii "cute style" ribbons and lace bedazzling her school uniform and backpack. I hoped Akemi wasn't one of those supposedly innocent girls who the minute she was removed from her family's sight let her hair loose, removed layers of clothing to show off a banging bod, and became a wild party girl. Or maybe that wouldn't be so bad. Wild party-girl Akemi might be a lot more fun than drive-to-school girl Akemi, who hardly had two words to say.”

JapaneseKawaiiSchoolgirl
Book:My Almost Flawless Tokyo Dream Life
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“Уже хорошо отработанным приемом они встали рядом, точно так же, как когда взламывали дверь в магазин Корзинщика, сформировав треугольник. Сью с Фионой встали под прямыми углами друг к другу, закрывая своими телами Дэйзи, которая, повернувшись к шкафчику, присела, сделав вид, будто завязывает шнурки. Фиона, болтая со Сью, как бы между прочим должна обронить кодовую фразу: «яблочный крамбл», как только горизонт будет чист. В качестве двойного уровня защиты Сью должна подтвердить, что все действительно безопасно и с ее стороны, и сказать «с кремом».”

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Book:The Charity Shop Detective Agency
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