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Quote by Philip Ball

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The Devil's Doctor: Paracelsus and the World of Renaissance Magic and Science

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Author

Philip Ball
Philip Ball

Philip Ball, born in 1962, is a distinguished science writer. His works cover a wide range of scientific topics, including chemistry, physics, biology, and materials science. Ball is known for his engaging writing style and his ability to popularize scientific knowledge. more

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“This is a smashing place, isn't it? But I must say it scares me a bit. Do you suppose one dares to ask for some tea?' 'I expect so, though heavens knows how. Perhaps you blow a peal on a slughorn, or beat on your shield with your sword -- or, I'll tell you what, if you look around you'll find a long embroidered tassel, and if you pull it you'll hear a bell clanging hollowly in some dark corridor a million miles away, and then some bent old servitor will come shuffling in--' 'There's a telephone by the bed,' said Timothy. 'Good heavens, so there is. How disappointing.' - Airs Above the Ground”

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“Even with the onset of contemporary animal advocacy, and the unavoidability of at least some knowledge of what goes on in slaughterhouses and on factory farms, most of us choose to look away—even feminists. Collectively, feminists remain largely unaware of the well-documented links between the exploitation of women and girls, and the exploitation of cows, sows, and hens.”

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“The first sorrow of autumn is the slow good-bye of the garden that stands so long in the evening—a brown poppy head, the stalk of a lily, and still cannot go. The second sorrow is the empty feet of a pheasant who hangs from a hook with his brothers. The woodland of gold is folded in feathers with its head in a bag. And the third sorrow is the slow good-bye of the sun who has gathered the birds and who gathers the minutes of evening, the golden and holy ground of the picture. The fourth sorrow is the pond gone black, ruined, and sunken the city of water—the beetle's palace, the catacombs of the dragonfly. And the fifth sorrow is the slow good-bye of the woodland that quietly breaks up its camp. One day it's gone. It has only left litter—firewood, tent poles. And the sixth sorrow is the fox's sorrow, the joy of the huntsman, the joy of the hounds, the hooves that pound; till earth closes her ear to the fox's prayer. And the seventh sorrow is the slow good-bye of the face with its wrinkles that looks through the window as the year packs up like a tatty fairground that came for the children.”

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“The general kind and soft customs of Mustang were soon to strike me as exceptional. Apart from occasional disputes between husband and wife, which like family rows all around the world bring raised voices, I never heard a person scream or shout; Even the children had very civilised manners. In fact the only person I knew to consistently angry in Lo Mantang was myself, and Tibetans consider bd temper a Western characteristic. Take for example the reactions of European to missing his train; he will invariably swear under his breath. Who in our can stand frustration without giving vent to anger? I soon had to master my own temper, having raised my voice against one of the innumerable people who stopped to stare at me and my smal party, I was told by a peasant: ‘’I cannot understand; you are a great man, how is it that small things like myself deserve your wrath?’’ After that I learned to be tolerant, realising that by getting mad I was only debasing myself, and that it was stupid to be bothered by trivialities.”

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“The black widow, who had dispatched a lover or two, was sought out for her wisdom. The young spider asked her, "Did you keep his harmful secret under the threat of danger, or did you spin a web so confusing that he didn't know if you were friend or foe? Did you release him from the web and your presence or will you give another the venom in which to finish him?" The black widow was quiet and then said, "All of the above.”

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