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Quote by Patricia Highsmith

Work

The Price of Salt

A classic work that delves into the emotional depths of a forbidden romance, offering a timeless exploration of human connection and desire. more

Author

Patricia Highsmith
Patricia Highsmith

Patricia Highsmith was an American novelist renowned for her psychological thrillers. Her works often delve into the darker aspects of human nature, particularly themes of loneliness and fear. Her most famous works include 'The Price of Salt' and 'The Glass House'. more

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“He has been travelling blindly, whether forward he cannot say, without learning anything except that he has not yet learned anything, unless he counts the extent of his own ignorance, like those who have searched fruitlessly for the source of the Nile. Like them, he must take into account the possibility of defeat. Hopeless dispatches, scrawled on pieces of bark, sent out in cleft sticks from the swallowing jungle. Suffering from malaria. Bitten by snake. Send more medicine. The maps are wrong.”

“During this time of almost continuous despair, I often told Morrigan about my recurring fantasy: breaking up with her (or vice versa), quitting my job, moving to some cheap, shitty little one-room apartment in Mustamäe, staying isolated indoors for months on end, eating only canned beans, drinking copious amounts of red wine, talking to cockroaches, and slowly going insane—until one day, inspired by Philipp Mainländer, I’d build a pedestal out of copies of my novel and hang myself from the ceiling.”

“I exist inside a living hell — not a nightmare, but an unrelenting, screaming abyss with no exit. I am cursed beyond redemption, haunted by horrors that claw at my soul, and possessed by something monstrous that wears my face and mocks my every scream. Every second is torture — not pain, but a divine punishment etched into my bones, burning through my nerves, flooding my skull with fire. I am not alive. I am a condemned vessel, dragged through a waking exorcism that never ends.”

“He doesn’t lock the door anymore—not out of courage, but quiet desperation. Each night, he lies there, hollowed and waiting, hoping a stranger might cross the threshold and finish the story he can’t bring himself to end. It isn’t bravery. It’s surrender in disguise. He doesn’t wish for peace, not even sleep—just an ending that isn’t authored by his own hand. A final act. A random mercy. That’s all he asks.”