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Quote by Reid Hastie

“A popular misconception is that decision analysis is unemotional, dehumanizing, and obsessive because it uses numbers and arithmetic in order to guide important life decisions. Isn’t this turning over important human decisions “to a machine,” sometimes literally a computer — which now picks our quarterbacks, our chief executive officers, and even our lovers? Aren’t the “mathematicizers” of life, who admittedly have done well in the basic sciences, moving into a context where such uses of numbers are irrelevant and irreverent? Don’t we suffer enough from the tyranny of numbers when our opportunities in life are controlled by numerical scores on aptitude tests and numbers entered on rating forms by interviewers and supervisors? In short, isn’t the human spirit better expressed by intuitive choices than by analytic number crunching? Our answer to all these concerns is an unqualified “no.” There is absolutely nothing in the von Neumann and Morgenstern theory — or in this book — that requires the adoption of “inhumanly” stable or easily accessed values. In fact, the whole idea of utility is that it provides a measure of what is truly personally important to individuals reaching decisions. As presented here, the aim of analyzing expected utility is to help us achieve what is really important to us. As James March (1978) points out, one goal in life may be to discover what our values are. That goal might require action that is playful, or even arbitrary. Does such action violate the dictates of either rationality or expected utility theory? No. Upon examination, an individual valuing such an approach will be found to have a utility associated with the existential experimentation that follows from it. All that the decision analyst does is help to make this value explicit so that the individual can understand it and incorporate it into action in a noncontradictory manner.”

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Reid Hastie

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“Freud described three great historical wounds to the primary narcissism of the self-centered human subject, who tries to hold panic at bay by the fantasy of human exceptionalism. First is the Copernican wound that removed Earth itself, man’s home world, from the center of the cosmos and indeed paved the way for that cosmos to burst open into a universe of inhumane, nonteleological times and spaces. Science made that decentering cut. The second wound is the Darwinian, which put Homo sapiens firmly in the world of other critters, all trying to make an earthly living and so evolving in relation to one another without the sureties of directional signposts that culminate in Man. Science inflicted that cruel cut too. The third wound is the Freudian, which posited an unconscious that undid the primacy of conscious processes, including the reason that comforted Man with his unique excellence, with dire consequences for teleology once again. Science seems to hold that blade too. I want to add a fourth wound, the informatic or cyborgian, which infolds organic and technological flesh and so melds that Great Divide as well.”

“Kein Toter nützt seinem Vaterland, und die Menschen fallen bestenfalls für ldeen, die sie nicht begreifen und deren Konsequenz sie nicht übersehen. Die geschundenen Krieger auf den Schlachtfeldern, die geplagten Völker waren die Opfer zänkischer, überaus eigensinniger, rechthaberischer und gänzlich unfähiger Denker, die in ihrem verdrehten armen Kopf keine Klarheit schaffen konnten und die sich außerdem gegenseitig nicht verstanden und nicht ausstanden.”

“Sang Penari— (Intertextual Reconstruction) I. Bisikan Kematian Ia mendengkur dalam rupa awan kelam Malaikat Azrael turun membisikkan litani terakhirnya sayap hitam yang rontok seperti bulu-bulu burung Icarus ketika lilin ambisi mulai menguap di ketinggian. Detak nadi yang nyaris tak teraba lagi. Tatap mata pastor muda memberi sakramen perminyakan, wajahnya mengingatkan pada Padre Amaro yang memandang dosa dan kepolosan sebagai dua sisi pisau yang sama-sama memotong urat nadi. Gumam doa terdengar seperti elegi yang menangis, serupa lantunan “Lacrimosa” dari komposisi Requiem D Minor di gereja reruntuhan pasca perang. Hunjaman paku di kepala, penderitaan seperti hujan Ingmar Bergman di The Seventh Seal— di mana kematian duduk bermain catur di atas batu nisan yang dingin. Tanah basah tergenang lumpur pekat, tarian brutal menyeretnya ke ingatan masa muda— seakan ia adalah Nina, angsa hitam nan cantik dan kejam itu yang tubuhnya menolak tunduk dan menjadi musuh paling setia. Ia berdiri di perbatasan: sungai keruh yang bergolak dan tebing yang runtuh perlahan seperti ambang psike pasien Freud yang kesurupan yang memikul trauma masa kecil tak pernah diucapkan. Seekor domba jatuh terbawa arus, penanda takdir seperti dalam kitab Kejadian— ia anak yang dikorbankan, tetapi tak ada malaikat yang menahan pisau di tangan Abraham. Suara dengkuran itu: apakah itu suara hewan teraniaya? atau luka masa kecil yang meminta dilepaskan? Perjalanan dari ladang kumuh pegunungan, mengais mimpi di jalan becek menuju stasiun kota. Dengkuran itu kini terdengar seperti jeritan peluit kereta ala Kill Bill, penanda pelarian yang tak pernah berakhir. Pohon pinus berkejar-kejaran di balik jendela kereta; bayangan sayap kelam membuntuti, serupa Dementor dalam mimpi Harry Potter, penyedot debu sukacita yang hidup dari sampah ketakutan. Desah sayup-sayup terdengar, gelas pecah berkeping, hujan menuruni jembatan— semuanya tereduksi seperti adegan Tarkovsky yang memantulkan kenangan setengah-mati. Hujan yang sama selalu membawa rumah dalam ingatan: rumah yang menggigil oleh detak nadi sendiri. Dengkuran itu menggetarkan bingkai foto di dinding, membangkitkan masa lalu dalam rasa sakit yang tak kunjung pergi— seperti jiwa tokoh-tokoh Dostoyevsky yang bergentayangan, kembali pada lukanya sendiri. Agustus 2026”