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Quote by Lonnie G. Bunch III

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Lonnie G. Bunch III

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“One can tell a great deal about a country by what it remembers. By what graces the wall of its museums. And what monuments have privileged placement in parks or central traffic intersections. And what holidays and patriotic songs are the bane and balm to generations of school children. Yet one learns even more about a nation by what it forgets. What moments of evil, disappointment, and defeat are downplayed or eliminated from the national narratives. Often in the United States the issues of race and the centrality of African American culture are given short shrift in textbooks, popular chronicles, and national memories.”

“In May 1830, when in Paris alone with little Maurice, she found herself going to museums—the Louvre, the Luxembourg. It was not the first time, but she returned again and again, "as if drunk and nailed to the Titians, the Tintorettos, the Rubens." She suddenly responded to painting as she had long before to music. Whatever métier, whatever trade or profession she would choose, she knew she would be an artist—in letters, in life, in her very being.”

“Museums are a great cultural experience, and by that I mean a great opportunity for you to repeatedly tell your children not to touch things. I find museums incredibly exhausting, and by that I mean acting like you're interested in some of those exhibits. "So this is a painting by another European painter of another unattractive European from the 1700s? Fascinating." It seems like they were only painting the sad, ugly people back then. "Hey, you're hard on the eyes, why don't I paint your portrait?”

“What I want to hear from museums in their vision statements is about the greater good, and that greater good is more than service audiences, it's about helping a country find truth, find insight, find nuance, and in many ways, what I hope that cultural institutions like this can do is that they're better suited than most to define reality and to give hope.”