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Quote by Kilroy J. Oldster

“Every child matures, which is both a blessing and a damn shame. Children can imagine worlds that never exist, worlds far more interesting and consoling than an adult knows.”

Quote by Kilroy J. Oldster

Book:Dead Toad Scrolls
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Dead Toad Scrolls

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Kilroy J. Oldster

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“Humankind’s struggle against a hostile environment causes people throughout the ages to deploy their full armory of logic, training, strategy, imagination, inventiveness, and creativity. We are born with the natural ability to strategize. The most influential tool in humankind’s intellectual tool kit is the ability to regenerate a sense of unruffled alertness, to establish a poised stance that leads to intuitive discoveries generated by the conscious and unconscious mind constantly filtering a plethora of data, selecting critical facts, and producing elegant solutions to seemingly insoluble dilemmas.”

ThinkingImaginationLogicStrategyIntuitionStrategic PlanningImagination QuotesCreative ThinkingLogical ThinkingInventivenessStrategic ThinkingThinking Process
Book:Dead Toad Scrolls
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“We don't know where we come from and where we go, we fill the missing links with whatever our imaginations can provide us”

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Book:Pearls Of Eternity
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“Faced with the prospect of a black depression, Highsmith once again retreated into fantasy, dreaming about an affair with the actress Anne Meacham, whose picture she had seen in a magazine publicising her role in the Tennessee Williams' play, In the Bar of a Tokyo Hotel. After the disasters of recent years, she reckoned that the safest option was to escape into romantic imagination. She reviewed her failures over the past five years and concluded that 'the moral is: stay alone. Any idea of any close relationship should be imaginary, like any story I am writing. This way no harm is done to me or to any other person'.”

WritingDreamRomanceBlackImaginationFictionFantasyRelationshipFailureDepressionRomanticSafetyAffairHarmDisasterStoryImaginaryRetreatDreamingWriteEscapeFailuresPictureActressDisastersMagazineSafestRetreated
Book:Patricia Highsmith, ζωή στο σκοτάδι
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“If [Patricia Highsmith] saw an acquaintance walking down the sidewalk she would deliberately cross over so as to avoid them. When she came in contact with people, she realised she split herself into many different, false, identities, but, because she loathed lying and deceit, she chose to absent herself completely rather than go through such a charade. Highsmith interpreted this characteristic as an example of 'the eternal hypocrisy in me', rather her mental shape-shifting had its source in her quite extraordinary ability to empathise. Her imaginative capacity to subsume her own identity, while taking on the qualities of those around her - her negative capability, if you like - was so powerful that she said she often felt like her inner visions were far more real than the outside world. She aligned herself with the mad and the miserable, 'the insane man who feels himself one with all mankind, all life, because in losing his mind, he has lost his ego, his self-ness', yet realised that such a state inspired her fiction. Her ambition, she said, was to write about the underlying sickness of this 'daedal planet' and capture the essence of the human condition: eternal disappointment.”

PeopleLifeMindLyingImaginationFictionVisionMankindIdentityEgoAmbitionEmpathyHumanMadDisappointmentContactInsaneMiserableHypocrisySicknessDeceitAutismAvoidanceVisionsLoathePlanetAvoidOutsideSplitIdentitiesCharadeEmpathiseSelf NessSubsume
Book:Patricia Highsmith, ζωή στο σκοτάδι
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“As soon as [Patricia Highsmith] had stopped work, she felt purposeless and quite at a loss about what to do with herself. 'There is no real life except in working,' she wrote in her notebook, 'that is to say in the imagination.' It was in this state that she observed that only one situation would drive her to commit murder - being part of a family unit. Most likely, she thought, she would strike out in anger at a small child, felling them in one blow. But children over the age of eight, she surmised, would probably take two blows to kill. The reality of socialising with anyone, no matter how close, she said, left her feeling fatigued.”

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Book:Patricia Highsmith, ζωή στο σκοτάδι
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