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“No one can read our Constitution without concluding that the people who wrote it wanted their government severely limited; the words "no" and "not" employed in restraint of government power occur 24 times in the first seven articles of the Constitution and 22 more times in the Bill of Rights.”

“No one can remain insensitive to the inequalities that persist in the world ... the Brazilian people, particularly the humblest among you, can offer the world a valuable lesson in solidarity, a word that is too often forgotten or silenced because it is uncomfortable ... I would like to make an appeal to those in possession of greater resources, to public authorities and to all people of good will who are working for social justice: never tire of working for a more just world, marked by greater solidarity”

“No one can repair your self-esteem for you. Your spouse cannot fix it. Your parents cannot fix it. Your boss cannot fix it. No amount of success or beauty enhancements can fix it. You have to fix it by changing the way you see yourself. You have to choose to see yourself accurately, to see life as a classroom, and commit to the policy that you have the same value no matter how you perform. It is time to claim the power to do this and not let anyone take your self-esteem from you again.”

“No one can rightly claim one hundred percent consistency in everything he does; yet we may assert that inasmuch as man earnestly tries and intends to withdraw his support from the evils of society, he approaches intentional pacifist living. This appears to be possible only in a fair degree of isolation, a fair degree of economic self-sufficiency, a greatly lowered standard of living, and, in consequence, in a simple, rural environment. Pacifist living at this point becomes identical with subsistence living.”

“No one can say exactly when the process of combining the different historical, legendary, and mythic elements into a Volsung cycle began, but it was probably at an early date. By the ninth century the legends of the Gothic Jormunrek and those of the destruction of the Burgundians had already been linked in Scandinavia, where the ninth-century “Lay of Ragnar” by the poet Bragi the Old treats both subjects. Bragi’s poem describes a shield on which a picture of the maiming of Jormunrek was either painted or carved and refers to the brothers Hamdir and Sorli from the Gothic section of the saga as “kinsmen of Gjuki,” the Burgundian father of King Gunnar. The “Lay of Ragnar” has other connections with the Volsung legend. The thirteenth-century Icelandic writer Snorri Sturluson identifies the central figure of the lay, whose gift inspired the poem in his honor, with Ragnar Hairy Breeches, a supposed ancestor of the Ynglings, Norway’s royal family. Ragnar’s son-in-law relationship to Sigurd through his marriage to Sigurd’s daughter Aslaug (mentioned earlier in connection with stave church carvings) is reflected in the sequence of texts in the vellum manuscript: The Saga of the Volsungs immediately precedes The Saga of Ragnar Lodbrok. Ragnar’s saga, in turn, is followed by Krákumál (Lay of the Raven), Ragnar’s death poem, in which Ragnar, thrown into the snakepit by the Anglo-Saxon King Ella, boasts that he will die laughing. The Volsung and Ragnar stories are further linked by internal textual references. It is likely that the The Saga of the Volsungs was purposely set first in the manuscript to serve as a prelude to the Ragnar material. The opening section of Ragnar’s saga may originally have been the ending of The Saga of the Volsungs. Just where the division between these two sagas occurs in the manuscript is unclear. Together these narratives chronicle the ancestry of the Ynglings—the legendary line (through Sigurd and Ragnar) and the divine one (through Odin). Such links to Odin, or Wotan, were common among northern dynasties; by tracing their ancestry through Sigurd, later Norwegian kings availed themselves of one of the greatest heroes in northern lore. In so doing, they probably helped to preserve the story for us.” (Jesse Byock)”

“No one can say if you are that person who, given good paint, good brushes, and a fine canvas, can produce something better than the factory man. That is, and has always been, beyond the realm of science. You do have the attitude of the dreamer about you. For that reason, I haven't the heart to argue anymore about this - it is a hopeless talk. And for a simple factory man like me, an effort must be abandoned once its hopelessness is exposed. Only the artist perseveres in such circumstances.”

“No one can say if you are that person who, given good paint, good brushes, and a fine canvas, can produce something better than the factory man. That is, and has always been, beyond the realm of science. You do have the attitude of the dreamer about you. For that reason, I haven't the heart to argue anymore about this - it is a hopeless talk. And for a simple factory man like me, an effort must be abandoned once its hopelessness is exposed. Only the artist perseveres in such circumstances. (193)”

“No one can sense his own weakness is at least a small temptation is not allowed to afflict either his body or his soul. Then, comparing his weakness to the help of God, a man comes to know its magnitude. But whoever does not know that he needs God's help, let him make many prayers. Insofar as he multiplies them, in that measure will he be humbled.”