“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.” IfsPoliticalActorsNamesBitsNiceMinutesSubjectsChangedReadyArmsColdComfortDirectorsSticksCastsDetailsNewspapersNosesExtrasItalianInquiryRequestRefinedMarcosArchivesPolitical Life Author:Indro Montanelli
“It is always amazing to see how wide a spectrum of results can be obtained from replicating an identical negotiation with different principal actors; it makes no difference whether there subjects are inexperienced or whether they are senior executives and young presidents of business firms. That is an important lesson to be learned here.” ImportantDifferentYoungActorsPresidentDifferencesResultsSubjectsLessonsWideFirmExecutivesPrincipalSeniorNegotiationSpectrumIdenticalImportant LessonsLessons To Be Learned Book:The Art and Science of Negotiation Source: The Art and Science of Negotiation
“if your subject is an actor, he or she will also be shorter in person than they appear onscreen. This, also, you must keep to yourself. Even if you think you are giving their lack of height a positive spin, you aren't. 'You always seem larger than life in photos, but it's nice to see that in person you're just like us' might seem like a compliment, but what a star hears is 'You're stumpy, and you will lose jobs to taller people.” PeopleIfsThinkingGivingPersonsSeemsMightJobsActorsStarsLosesNiceSubjectsHeightComplimentSensitivityLarger Than LifeKeep To Yourself Author:Jancee Dunn
“Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.” PeopleYearsLooksKindMeanMadeMatterWholePastFacesActorsPowerfulFiveSubjectsSittingTwentiesPhotographDeeperDecadesFive YearsClothingsPortraitsSentimentalInventingTwenty FiveMorbidPicture Taking Book:Mao II Source: Mao II