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Air Quotes

“False casting for practice is the best way to achieve the feel of the line in the air, but in actual fishing, false casts should be limited in number to absolute necessity. In the first place, the more false casts you make, the greater are the chances for the fish to see your arm waving, or the line in the air. And the greater are your chances to make a mistake in the cast and lose your timing. Most anglers, especially tyros, false cast too often. Three false casts should be sufficient for any throw and two is better. One is perfect.”

“What it 't to us, if taxes rise or fall, Thanks to our fortune, we pay none at all. Let muckworms who in dirty acres deal, Lament those hardships which we cannot feel, His grace who smarts, may bellow if he please, But must I bellow too, who sit at ease? By custom safe, the poets' numbers flow, Free as the light and air some years ago. No statesman e'er will find it worth his pains To tax our labours, and excise our brains. Burthens like these with earthly buildings bear, No tributes laid on castles in the air.”

“I did something rather innovative that my competitors didn't like: I took out a full-page advertisement in the Yellow Pages that listed an office on the east side of Cincinnati, and another office on the west side, while every other heating/air-conditioning company had only one location and one phone number. I was the citywide company. In fact, our 'westside office' was just an answering service taking telephone message. From the start we appeared to be a big company.”

“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”

“The darkness grew apace; a cold wind began to blow in freshening gusts from the east, and the showering white flakes in the air increased in number. From the edge of the sea came a ripple and whisper. Beyond these lifeless sounds the world was silent. Silent? It would be hard to convey the stillness of it. All the sounds of man, the bleating of sheep, the cries of birds, the hum of insects, the stir that makes the background of our lives - all that was over.”

“I recorded with Hank (Jones) a number of times, usually on dates where Milt was unavailable, and I thought he was the perfect pianist. He had a beautiful touch, knew all the best ways around the chord changes, and swung mightily. And he brought an air of cheerful competence to every date, making us all feel that it would be possible to make some very good music that day.”