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Body Quotes

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Body Quotes

“It is worthwhile adding that the power of the poem to teach not only sensibilities and the subtle movements of the spirit but knowledge, real lasting felt knowledge, is going mostly unnoticed among our scholars. The body of knowledge locked into and releasable from poetry can replace practically any university in the Republic. First things first, then: the primal importance of a poem is what it can add to the individual mind.Poetry is the voice of a poet at its birth, and the voice of a people in its ultimate fulfillment as a successful and useful work of art.”

“There is always, in the fine arts, a physical interface between the artist's esthetic vision and the material result he seeks. The interface may be the application of brush to canvas, chisel to marble, bow to string... It may be the control of voice in song or the control of body in dance. It is the mastery of the interface that comprises the artistry; it is what constitutes the 'art' in fine art.”

“How can it be other than right to worship the Body of the Lord, all-holy and all-reverend as it is, announced as it was by the archangel Gabriel, formed by the Holy Spirit, and made the Vesture of the Word? It was at any rate a bodily hand that the Word stretched out to raise her that was sick of a fever (Mk. 1:31): a human voice that He uttered to raise Lazarus - the dead (Jn. 11:43); and, once again, stretching out His hands upon the Cross, He overthrew the prince of the power of the air, that now works (Eph. 2:2) in the sons of disobedience, and made the way clear for us into the heavens.”

“The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which... sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time... to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.”

“The artivist (artist +activist) uses her artistic talents to fight and struggle against injustice and oppression – by any medium necessary. The artivist merges commitment to freedom and justice with the pen, the lens, the brush, the voice, the body, and the imagination. The artivist knows that to make an observation is to have an obligation.”

“Better to be always in a minority of one with God - branded as madman, incendiary, fanatic, heretic, infidel - frowned upon by "the powers that be," and mobbed by the populace - or consigned ignominiously to the gallows, like him whose "soul is marching on," though his "body lies mouldering in the grave," or burnt to ashes at the stake like Wickliffe, or nailed to the cross like him who "gave himself for the world," - in defence of the RIGHT, than like Herod, having the shouts of a multitude crying, "It is the voice of a god, and not of a man!"”

“When any body of statesmen make public asservations by one or various voices, that there is no discord among them, not a dissentient voice on any subject, people are apt to suppose that they cannot hang together much longer.”

“...the mind is more powerful than any imaginable particle accelerator, more sensitive than any radio receiver or the largest optical telescope, more complete in its grasp of information than any computer: the human body- its organs, its voice, its powers of locomotion, and its imagination- is a more-than-sufficient means for the exploration of any place, time or energy level in the universe.”

“Conscience is the voice of the soul, the passions are the voice of the body. Is it astonishing that often these two languages contradict each other, and then to which must we listen? Too often reason deceives us; we have only too much acquired the right of refusing to listen to it; but conscience never deceives us; it is the true guide of man; it is to man what instinct is to the body; which follows it, obeys nature, and never is afraid of going astray.”

“When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"”

“tis woman's strongest vindication for speaking that the world needs to hear her voice. It would be subversive of every human interest that the cry of one-half the human family be stifled. ... The world has had to limp along with the wobbling gait and one-sided hesitancy of a man with one eye. Suddenly the bandage is removed from the other eye and the whole body is filled with light. It sees a circle where before it saw a segment. The darkened eye restored, every member rejoices with it.”