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Breathe Quotes

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Breathe Quotes

“'Who am I?' The answer is 'I am God'. The body comes and goes, but the Atma is permanent. The body has birth and death, but the spirit does not have any of these. You reach the stage where you say, 'I am God', but even there, there is duality, 'God and I'. That is not the full Truth. When we breathe, the breath makes the sound of 'So-Hum', 'He am I'. There is still the body consciousness, the 'I'. But in deep sleep, the declaration of 'He' and 'I' falls away and only '0' and 'M' remain, 'Om'; there is only the One.”

“The EU is deeply harmful, it is an anti-democratic monster. I want to prevent it from becoming fatter, from continuing to breathe, from grabbing everything with its paws and from extending its tentacles into all areas of our legislation. In our glorious history, millions have died to ensure that our country remains free. Today, we are simply allowing our right to self-determination to be stolen from us.”

“Literally as I walk into the studio I say, "God, hollow me of all my junk. Hollow me of my insecurity, my pride and my doubt. Make me hollow enough that you can breathe something through me that would turn eyes to you." And whether that's a song or a conversation you're going to have with a co-worker, or whatever you're facing, that's for everybody.”

“The environment is everything that makes up our surroundings and affects our ability to live on the earth - the air we breathe, the water that covers most of the earth's surface, the plants and animals around us, the overall condition of our planet, and much more. Protecting the environment is really important to everyone's welfare - that of our children, as well as that of the future generations.”

“It is always brave to insist on undergoing transformations that feel necessary and right even when there are so many obstructions to doing so, including people and institutions who seek to pathologize or criminalize such important acts of self-definition. I know that for some feels less brave than necessary, but we all have to defend those necessities that allow us to live and breathe in the way that feels right to us. Surgical intervention can be precisely what a trans person needs – it is also not always what a trans person needs.”

“I think the role of comedy in your life should supersede anything and everything negative. Just by virtue of the fact that you have to be funny, you can't afford to focus on the negative. As a comedian, your challenge is to turn negative stuff into positive energy. You should be able to hear anything that sounds bad, that people normally wouldn't laugh at, and make it feel funny to you. No one should be able to deter you, once you have your mind set on comedy. Your survival as a comedian should be as natural as breathing. I need to breathe and I consider my career my air.”

“I have all my tricks to unplugging. Sometimes I just close my eyes and I breathe a couple of times, even if I'm in the middle of a conversation. It centers me. Dancing also helps me to unplug, so does writing music. I really enjoy going to Central Park and Upstate New York, when I really want to unplug from the city. Going to the library is great, too. There's just a nice equality about libraries, there's everyone from kids to senior citizens to students, it's a nice environment. I grab whatever book I feel attracted to and then I just sit there and read it for a little while.”

“I think that for those of us who come from oppressed backgrounds and who do our work in marginalized communities, recovering our innocence is one of the most important acts of self-liberation and de-colonization. Not letting the requirement that we adapt to impossible circumstances and unconscionable crimes leave us shackled to the kind of cynicism and armor such that we can't breathe and laugh and magnetize to ourselves all the genius and love and support that we need to transform the situation. That's probably the biggest challenge, is to recover our innocence.”

“My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the shifting tones and the selection of details, in the comedy, the sadness, and the confusion. For the space of an essay, I'm the air you breathe, everywhere and nowhere. With a personal essay, I don't think you'd want it any other way. You ought to have the sense of an encounter, the impression of having met someone. In my essays, for better or worse, that someone is me.”

“Slalom skiers train their whole lives for like a minute and a half. We're not soccer or tennis players that can play the whole game. Once you're in the World Cup, you're physically prepared, so then ski racing almost always comes down to more mental than physical. I've been working on understanding that I've done everything that I can up until this point, and now I need to breathe and enjoy the moment, and do what I know I can do, versus trying to do more. Because you're fighting to do more, but that doesn't always work.”

“Once you are in that ring things happen that you don't expect. There is nothing you can plan for. At the end of the day, you've just got to go in there and feel the guy's spirit. You've got to listen to him breathe, look into his eyes, feel his power and feel his speed. You can't think too much. It is instinctive. It is on-the-fly. But at the same time I go in there and I think it doesn't matter what this guy does, I'm going to have my way. In whatever situation we end up, I am always going to come out on top. That is the one thing that is the same for every single fight.”

“The biggest challenge of my career has been wanting to do EVERYTHING! I always say I wish I could clone myself so that I could do everything for work and be a full-time mommy at the same time, and I know that so many women feel the same way. It has been a challenge for me to step back, take a moment to breathe, and to accept the fact that I logistically just cannot do everything and be everywhere at the same time.”

“The fact is that there's hundreds of thousands of incredibly motivated, active political partisans working on the blogs. These people generate buzz, it generates local activism. These aren't the kind of people that pay attention a little to politics, turn it off and then do something else. They live and breathe politics. And anybody that wants to build a movement or a successful campaign needs people like the people who read blogs.”

“I feel incredibly blessed. I'm happy, but all of this movie business, and working as an actress is really hard. When you're not working is when you have to stay positive and remind yourself that you're talented. What's due for you is due for you, and you don't know when that's going to come. That's something I struggled with after I got out of school, wondering how long I was going to have to wait. Then beautiful jobs started coming to me. Now, I feel that my path is going to be what it's going to be, and as long as I relax and breathe, I can enjoy it.”

“I suddenly thought about being backstage, and I think it shocks you to meet the people you shared your bedrooms with. And a lot of them either take themselves too seriously or don't know how to take themselves at all. But I wanted to be aware in a very sarcastic way that every song I've written has probably been written about 12-16 times before. And doing that makes it very hard for me to accept serious singer-songwriters in the world, the up-and-comers, the ones who are out there who let that define their every move, who live and die and breathe for it. It's a bit of a tragedy, I think.”

“I think, in fact, there's a plus and a minus to knowing my prior work, Happiness and so forth. The plus is of course you can see how I play with the characters, the storylines, and the way things play off each other. And the minus is that it makes you a little bit more self-conscious, that you're not able to enter the movie as it exists and lives and breathes, because you're so busy making references, connections that you're not able to release yourself from and take the film on your own terms.”

“Sex workers are the last women police stand in to protect. Sex workers are the last people that room is made for in many ways. You get a different kind of feminism if you put people at the margins at the center. It's a recently resonant lesson, but black feminists have been saying this for decades. Now when I talk to people engaged in sex workers' rights advocacy and people who identify as intersectional feminists, this is the air they breathe. We can't just make feminism about improving the lives of all women. Because there is no such thing as all women and universal female experience.”

“The Hoh Valley is an incredibly secure area. Any event occurs around us, we will instantly become informed of that event. This can even happen at a distance. When the body recognizes that you have a very large listening area, and you're getting all the information, the body relaxes. You can breathe more gently, the cortisol levels that are created by stress in our bloodstream dissipate, and we actually become healthier. And as a result, if we are actually fortunate enough to live in a place like that, we will live longer.”

“What's happening now with technology is we live with very porous boundaries. All those little interruptions fragment our time and attention and make us feel like work never ends. It makes us feel like we don't ever have that sacred time for family or to breathe or meditate or for leisure. Time is contaminated for everyone. I'm hoping that as we get used to these technologies we'll get smarter about how we use them and also how to shut them off.”

“Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you're instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do.”

“A friend of mine said to me not long ago, "Terry you are married to sorrow." I looked at him and said, "No, I am not married to sorrow, I just choose not to look away." To not avert our eyes to suffering is to trust the power of presence. Joy emerges through suffering. Suffering is a component of joy. Whether we are sitting with a loved one dying or witnessing dolphins side-by-side watching the oil burning in the Gulf of Mexico, to be present with the world is to be alive. I think of Rilke once again, "Beauty is the beginning of terror." We can breathe our way toward courage.”

“I think a huge part is how we're socialized growing up to see our value and worth as being tied into a relationship and how our culture teaches us a distorted sense of romantic love - can't live without you, can't breathe without you, I'll die without you. As teenage girls we believe that level of emotional intensity and dramatics equates with real love. We're also taught that if we date lots of people, then we're sluts, so at an early age we put all our eggs into one basket, so to speak, and concentrate on "the one".”

“Working with a manuscript with that kind of intimacy is kind of like taking a magnification mirror to your pores. Its horrifying but it shows just where the problems are. Of course, I do get bored of the words after a while. I take breaks from them so that we can breathe. And by the time I'm done with my umpteenth regurgitation, I hate the words. They become flavorless chewing gum. Like how really old gum gets once it starts disintegrating in your mouth. Gum that's lost its elasticity and feels like a sweater.”

“I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.”

“Dark Horse movie might be blood, sweat, and tears for Todd Solondz, because things are so important to him and so specific. He has such a rhythm and a tone. So while he may have to work so hard to keep that intact, it allows the actors the freedom to just breathe. Because he's done all the heavy lifting. He really has. He has everything the way he needs it. And so we can just get there and be whatever he saw in the audition.”