“I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.” TwoProblemFilmRoomsBuildingCamerasNo Problem Author:Mordechai Vanunu
“The job is the same - to attempt to make it sound like you've never said it before and as if it's just occurred to you. And that's the same whether you're on camera or whether you're on stage in a room full of people.” PeopleIfsSaidJobsSoundRoomsStageLike YouCameras Author:Bill Nighy
“A film is born in my head and I kill it on paper. It is brought back to life by the actors and then killed in the camera. It is then resurrected into a third and final life in the editing room where the dismembered pieces are assembled into their finished form.” FilmFormActorsBornRoomsPiecesPaperThirdsCamerasFinalsFinishedEditing Author:Robert Bresson
“It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.” FeelsMomentsFeelingsHappensRoomsNiceLike YouCamerasProductionsEnormousRollingSpontaneousNolan Author:Joseph Gordon-Levitt
“While making my picture window photographs, I came to think that every room was like a gigantic camera forever pointed at the same view.” ThinkingRoomsViewsForeverWindowCamerasPhotographerPhotograph Author:John Pfahl
“Real artists find answers. The knowledge of the artisan is within the confines of his skills. For example, I know a lot about lenses, about the editing room. I know what the different buttons on the camera are for. I know more or less how to use a microphone. I know all that, but that's not real knowledge. Real knowledge is knowing how to live, why we live, things like that.” KnowsDifferentRealUseArtistAnswersRoomsKnowingExampleSkillsCamerasButtonsEditingLensesMicrophonesArtisansReal KnowledgeReal Artists Author:Krzysztof Kieslowski
“I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.” TryingFactsHandsAbleEnjoySimpleAbilityRoomsAudienceFrontsSceneLaughterHarderCamerasPartnersFreakTimingDisbeliefEditsSuspensionControl FreakSuspension Of Disbelief Author:Jonathan Groff
“Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.” GivingLittlesSometimesRoomsAirFrontsJokesGive MeCamerasGladEditingThin Air Author:Ed Helms
“There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.” IfsKindMadeIdeasUsedRoomsEasierCamerasUsed To BeMake SenseEditorsEditingMistakenDeliberateCheaper Author:Ethan Hawke
“If you invite someone into your front room you can't be surprised when there are suddenly people outside your windows with cameras.” PeopleIfsRoomsFrontsWindowCamerasInvites Author:Daniel Craig
“And also, I'm most comfortable with like two people just sitting and talking about their feeling, you know, in a room with like two cameras and that's it. And I wanted to do something where there was like action and running and you know crowd scenes and big set pieces and certainly did a lot of that, so yeah.” PeopleKnowsTwoFeelingsBigsRunningActionWantedRoomsTalkingPiecesSceneComfortableSittingCamerasYeahCrowds Author:Nicholas Stoller
“Of course The Exorcist changed my entire life. I don't think there are very many people that will have the experience of sitting in this room, doing a job, and the next thing you know you've been on every television camera around the world, and people are they're frightened of you.” PeopleThinkingKnowsWorldJobsCoursesNextRoomsChangedTelevisionSittingCamerasAround The WorldFrightenedExorcist Author:Linda Blair
“When I'm on my own with my camera, taking these pictures, it feels as if I am in a room of my own, a self-contained world.” IfsWorldFeelsSelfMy OwnRoomsCamerasSelf Contained Author:Patti Smith
“The sign at the entrance to my gym locker room says, no cell phones please, cell phones are cameras. They are not. A camera is a Nikon or a Leica or Rolleiflex, and when you strike someone with one, they know they have been hit with something substantial.” KnowsHas BeensRoomsPleaseCamerasPhonesStrikesCellsGymCell PhoneEntrancesLockersLocker RoomLeicaNikon Author:Danny Lyon
“Know your job and don't fake it. It looks easy, but the ones that make it look easy know what the hell they're doing. They may tell you around the dining room table that you're funny and you should be an actor, but until you challenge yourself by getting on a stage or in front of a camera, that's when your knowledge of the craft separates you from the pretenders.” KnowsShouldLooksMayJobsActorsEasyChallengesRoomsHellStageFrontsCamerasTablesCraftsFakeDiningChallenge YourselfDining RoomsPretender Author:Dustin Diamond
“The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.” IfsMadeMovingMotherChoicesActorsSpaceDecisionLevelsRoomsNumbersExampleMovementCamerasPracticalsTeaKitchenConsiderationPotAngleVersusLiving RoomLarge NumbersSmall SpacesCamera Angles Author:Hirokazu Koreeda
“I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.” PeopleIfsThinkingKnowsDoneBigsNightStarsDifficultMy OwnRoomsHappenedHavensTelevisionCamerasCellphone Author:Maggie Smith
“There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.” ThinkingWayNeedsStillsEnoughOrderGamesGrowthChallengesRoomsBehindsRolesCasesDoubtColorAreasHollywoodCamerasAfrican AmericanSlimAmerican WomanAfrican American WomenChallenging Times Author:Jada Pinkett Smith
“Everything you see comes from inside. People don't see it but inside the dressing room we laugh and joke a lot so it's not just for the cameras. It's the way things are off the pitch too. We are happy for each other, it is all natural.” PeopleWayNaturalRoomsLaughingJokesCamerasDressingsDressing Rooms Author:Luis Suarez
“I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.” TryingStillsTwoActorsEnergyRoomsCrossesCamerasRollingEditingCoverage Author:Denis Leary
“If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.” PeopleIfsPlayHomeRoomsAudienceComedyFrontsTelevisionCamerasCommunicateStudiosGuidesMidnightCellars Author:John Mulaney
“I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.” ThinkingWayNeedsFactsFilmUsedRoomsPayAttentionDirectorsDrawsShotsCamerasVery GoodPay AttentionEditingGood Sense Author:Jason Reitman
“Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.” WritingDoeI CanSongRoomsAudienceBandMembersCamerasRelySongwritersBand Members Author:Rick Springfield
“Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.” WaySaidFallDarkRoomsShadowAspectWindowCamerasTinyPainterAssociationSunlightProjectionUpside DownJungDark RoomShadow WorkCamera Obscura Author:Chuck Palahniuk
“[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).” PersonsHandsFacesDiesJesusChristRoomsHeardPleasePicksShotsJesus ChristCamerasAssumingRaisedObviousReactionsAdamSingle PersonUtteranceMaggie Book:Along for the Ride Source: Along for the Ride
“At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera.” EndsRoomsFeetStandingCamerasEdgesChairsGrandmaLarryDisposableTaking PicturesFoldingCaskets Book:High Five Source: High Five
“The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life.” KnowsWorldWantFirstsMadeTwoTogetherLastsFilmTurnsRoomsKnow HowPiecesCuttingMinutesTearsMaterialsCamerasStudiosTurn Me Author:Buster Keaton
“As actors, we went where we wanted to, and the camera followed us: it was like having another person in the room. There was no formal structure to the process. It was very liberating.” PersonsWantedActorsProcessRoomsCamerasStructureFormalLiberating Author:Emily Watson
“In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.” ActorsStuffLinesRoomsMouthsPercentCamerasRollingEditingSomewhere Else Author:Campbell Scott