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Can Do Quotes

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Can Do Quotes

“Had I to give advice to writers (and I do not think they need it, because everyone has to find out things for himself), I would tell them simply this; I would ask them to tamper as little as they can with their own work. I do not think tinkering does any good. The moment comes when one has found out what one can do - when one has found one's natural voice, one's rhythm. Then I do not think that slight emendations should prove useful.”

“Do you not think that sometimes when matters are at the worst with us, when we appear to have done all which we ourselves can do, yet all has been unavailing, and we have only shown we cannot, not we will not, help ourselves; that often just then something comes, almost as if supernaturally, to settle for us, as if our guardian angel took pity on our perplexities, and then at last obtained leave to help us? And if it be so, then what might only be a coincidence becomes a call of Providence, a voice from Heaven, a command.”

“In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer.”

“Do the stuff that only you can do. The urge, starting out, is to copy. And that's not a bad thing. Most of us only find our own voices after we've sounded like a lot of other people. But the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. The moment that you feel that, just possibly, you're walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That's the moment you may be starting to get it right.”

“I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.”

“The people who successfully start independent businesses (franchises, I think are a different thing) do it because we have no real choice in the matter. The voice in our heads won't shut up until we discover if we're right, if we can do it, if we can make something happen. This is an art, our art, and to leave it bottled up is a crime.”