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Choices Quotes

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Choices Quotes

“There's a story about how the program is organized, there's a story about the context in which the program is expected to operate. And one would hope that there will be something about the program, whether it's block comments at the start of each routine or an overview document that comes separately or just choices of variable names that will somehow convey those stories to you.”

“The soul is the observer who interprets and makes choices in a confluence of relationships. These relationships provide the background, setting, characters, and events that shape the stories of our lives.”

“It seems like I always wrote, I just didn't think of it as a career choice. I just liked to tell stories ... to myself, to pen pals (I had a lot of them, all over the world). Of course this was in the days before computers were everywhere, and anyone could access the Web. You had to make an effort keeping up a correspondence, and the arrival of the mail once a day was a big deal. I think if modern technology had been around when I was a kid, I would never have left my bedroom except to take the dogs out for their run three times a day.”

“The word 'risk' derives from the early Italian risicare, which means 'to dare'. In this sense, risk is a choice rather than a fate. The actions we dare to take, which depend on how free we are to make choices, are what the story of risk is all about. And that story helps define what it means to be a human being.”

“A dream inspiring a story is different than placing a description of a dream in a story. When you describe a character's dream, it has to be sharper than reality in some way, and more meaningful. It has to somehow speak to plot, character, and all the rest. If you're writing something fantastical, it can be a really deadly choice because your story already has elements that can seem dreamlike.”

“I believe in God. Nobody made me believe; I don't think you can or should try to force someone to believe something. And even though my parents taught me stuff about God and read Bible stories to me from as early as I can remember... it was my choice to become a believer in Him. The way I see it, putting our faith in God is something that each person has to come to on his or her own. It's your own personal relationship with Him; a bond that's as unique as a fingerprint.”

“if I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society.”

“My life story is something obviously that belongs to me very personally. And the fact of the matter is that I had choices and chances and opportunities that were provided to me, based on the way I was able to direct my own decision-making. And what I'm working to fight for is to make sure that all women have the ability to do that.”

“Beautiful Lies is a book every woman should read. Jennifer Strickland weaves the powerful story of her life throughout each chapter while emphasizing transformational truths from God's Word. Her vulnerability, exquisite writing style, and practical take-home applications make this book the ideal choice for personal or for small group use.”

“The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].”

“The election makes me think of a story of a man who was dying. He had only two minutes to live, so he sent for a clergyman and asked him, "Where is the best place to go to?" He was undecided about it. So the minister told him that each place had its advantages--heaven for climate, and hell for society.”

“He'd once heard a story about a monastery on the top of some mountain in Japan or somewhere. After a long trek in the cold to get there, the monks would offer to sell you a cup of coffee. You had a choice: There was a two-dollar cup - or a two-hundred- dollar cup. When pressed to explain the difference, the monks were reported to say, 'A hundred and ninety-eight dollars.'”

“Your body is free but your heart is in prison. To release your heart, you simply reverse the process which locked it up. First you begin to listen for messages from your heart-messages you may have been ignoring since childhood. Next you must take the daring, risky step of expressing your heart in the outside world. . . . As you learn to live by heart, every choice you make will become another way of telling your story. . . . It is the way you were meant to exist. If you stop to listen, you'll realize that your heart has been telling you so all along.”

“Reporters are faced with the daily choice of painstakingly researching stories or writing whatever people tell them. Both approaches pay the same.”

“If you want to be a fiction writer, you need to start reading like a fiction writer. To do so, you need to learn about craft so that the next time you pick up a contemporary short story, you're reading it not as an abstraction floating in formaldehyde, existing simply for the theorist's dull scalpel to saw on, but as a concrete thing constructed out of words and shaped by syntax, brought to life by a writer who made several thousand choices, some large, some small, before letting that imperfect beauty, the story, walk on its own two feet.”

“The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.”

“I genuinely was just such a fan of the books. When I heard that this was on the cards, I've got to do this; I've got to get involved with this. I'm such a Philip Pullman fan and actually his philosophies, morals and the way he looks at the world. He does what he does brilliantly as a writer. He writes children's stories with major adult themes and major ideas about making the right choices.”

“I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.”

“Listening is terribly important if you want to understand anything about people. You listen to what they say and how they say it, what they share and what they are reticent about, what they tell truthfully and what they lie about, what they hope for and what they fear, what they are proud of, what they are ashamed of. If you don't pay attention to other people, how can you understand their choices through time and how their stories come out?”