“I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.” StoriesDecisionNovelConsciousSentencesDialogueRhythmLengthDozenAlways BelieveParagraphPlacementFlashback Author:Ron Rash
“I think I've always been extremely conscious of the kind of empowerment that comes from realizing that you're in a position to express yourself. And the fact is that - and this is the thing about punk rock - that everyone is in a position to create culture, and that point has never been lost on me. To me, that's an important political aspect of doing this, and trying to live in a way that's about dialogue as opposed to like... spectacle.” ThinkingWayTryingKindImportantFactsPoliticalCultureLostRealizingRocksPositionConsciousAspectEmpowermentDialoguePunkExpress YourselfPunk Rock Author:J. Robbins
“For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end.” WayWritingYearsBookEndsRealityReadingTalkingConsciousLaysCoreDialogueReading BooksContinuingWriting A BookBook ReadingBook WritingVisceralBorges Book:With Borges Source: With Borges
“I believe I'm very conscious of exactly what I'm doing. I'm auditioning lines of dialogue, and I'm interrogating whether the lines would translate from Russian into English the right way. The English that results can perhaps seem somewhat more formal than colloquial, but not so formal as to feel academic.” WayFeelsBelieveSeemsI BelieveLinesResultsConsciousDialogueAcademicTranslateFormalRight Way Author:David Bezmozgis
“There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.” FeelsSelfPlayActorsSexSceneHappeningsConsciousFellowsDialogueExposedSelf ConsciousUnspoken Author:Geoffrey Rush
“I'm always conscious of the fact that a book starts, basically, with a kid in a lap, and a parent reading to them. If I'm not at least understanding that the parent's got to be there, and the kid's got to be there, together, then I don't feel like I'm doing my job. I hope that the language or the dialogue or the way characters interact entertains parents - when I'm playing with my own kids, I'm entertaining myself too, as well as them.” BookCharacterKidsTogetherReadingLanguageParentUnderstandingConsciousDialogue Author:Jon J Muth
“I was at a loss suddenly; but conscious all the while of how Armand listened; that he listened in the way that we dream of others listening, his face seeming to reflect on every thing said. He did not start forward to seize on my slightest pause, to assert an understanding of something before the thought was finished, or to argue with a swift, irresistible impulse -- the things which often make dialogue impossible. And after a long interval he said, 'I want you. I want you more than anything in the world.” WorldWayWantLongSaidDreamFacesUnderstandingLossImpossibleListeningConsciousFinishedArguingDialogueImpulseI Want YouPausesIrresistibleSeemingIntervals Book:Interview with the Vampire Source: Interview with the Vampire