“The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.” GivingLooksKindImportantActorsGivenWatchesDirectorsHappeningsPerformancesBunchIngredientsConstructsMovie Making Author:Joseph Gordon-Levitt
“Hollywood people don't want to be embarrassed by being involved with someone who isn't happening and cool at the time. But I never made the movies for the critics; I've done the best I could with the material and the directors and the actors I had. But the thing that's really exciting is that once I do that one project that's different, that stands out, everyone's gonna be watching.” PeopleWantMadeDifferentDoneActorsMaterialsInvolvedDirectorsProjectsHappeningsHollywoodExcitingCriticsEmbarrassedStanding Out Author:Pauly Shore
“In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.” WritingRealHappensActionActorsProcessStageDirectorsHappeningsLonelyProductionsDialogueEditorsEditingWriting ProcessAnimationDiscrete Author:Michael Arndt
“Any good director creates a playground. That's what they do. They hire the right actor, open the door and let them play because stuff will happen, right then and there. The audience wants to believe that what's going on is happening for the first time, ever. That's what acting is. That's what good scene writing is.” WantWritingFirstsBelievePlayHappensActorsStuffActingAudienceDoorsSceneDirectorsHappeningsFirst TimePlaygroundsGood Directors Author:Martin Landau
“I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.” IfsThinkingFilmMiddleFrontsLike YouCallingDirectorsConversationHappeningsRelationCamerasMediumsExtrasNo PointLoopsCinematographersKidding Yourself Author:David Douglas
“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."” PeopleIfsDoeHardRunningAsksLevelsGroupsHard WorkQuietDirectorsEqualHappeningsPhonesIntenseChecksCellsBoardsLunchDedicationCell PhoneImmersion Author:Greta Gerwig
“Bill [Condon] is such a great actor's director. He cares about what you're thinking. And, he's very open. Even though he was pressed for time, and he was doing two movies at once, and all this stuff was happening around him, he would still take time to sit there and talk to you about your scene and your character and what you were going through. That was really a treat.” ThinkingStillsTwoCharacterCareActorsStuffSceneDirectorsHappeningsTreatsBillsTake TimeGreat Actors Author:Kellan Lutz
“If you're onstage and you're improvising and nothing's happening, people are racing for the door. But the director can go shopping later and pick up pieces and moments and insert them.” PeopleIfsMomentsPiecesDoorsDirectorsHappeningsPicksRacingShoppingImprovisingInsert Author:Gary Cole
“Also one of my heroes is Syd Mead, who designed the vehicles for the first Tron. So, there are so many beautiful things happening here. And working with Joe was great. He's an architect, so I worked with other directors in between who were just about the action.” FirstsActionBeautifulHeroDirectorsHappeningsThings HappenArchitectVehicleBeautiful ThingsMy HeroMead Author:Daniel Simon
“I still feel lucky whenever I hear a director say, "Action!" Because then I think, "Whoa, I'm really in the movies. This is a real thing happening." I've never not been enthralled by that. I still love it. I still love hearing it, and I feel really lucky all the time.” ThinkingFeelsStillsRealActionLuckyDirectorsHappeningsHearingThings HappenReal Things Author:Fred Armisen