“Marlee has said a million times, "Wouldn't it be funny if there was a camera trained on the two of us?" because we get involved in some very interesting situations. We'll be on a plane and she gets handed a Braille menu because they think she is blind, or producers that turn to the director of a show she's on and say, "Marlee Matlin is great, but is she going to be deaf for the whole show?" She used to freak people out with the speaker phone in her car by having me sign what they were saying on the speaker phone and then she would speak herself.” PeopleIfsThinkingSaidTwoWholeShowsUsedTurnsSpeakInterestingSituationMillionsCarInvolvedDirectorsCamerasBlindPhonesProducersPlanesFreakSpeakersDeafVery InterestingGet InvolvedMenusTwo Of UsBrailleInteresting Situations Author:Jack Jason
“I'm always looking for opportunities, even when they're not offered to me. I will have no hesitation to pick up the phone and call a director or call a writer.” OpportunityDirectorsPicksPhonesHesitation Author:Hilary Swank
“I feel that the critic and music director should have such a good relationship they can pick up the phone and call each other any time.” FeelsShouldDirectorsPicksShould HaveCriticsPhonesGood Relationship Author:Zubin Mehta
“I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.” SaidStoriesFoundVoiceTalkingDirectorsMouthsAskingPhonesCome UpApartmentTrue StorySids Author:John Leguizamo
“I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!” WayWellsLittlesRealPlayCharacterFilmBitsVoiceVisionRolesTypeDirectorsComputerLittle BitSingingLet MeAskingDown AndScriptsCastsPhonesSatSwimmingDocumentariesSequencePhone CallsPenguinsEsther Author:Brittany Murphy
“So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."” ThinkingKnowsShouldFirstsSaidDoneActorsAsksDarkSawsWonderfulMissingDirectorsBeatsPhonesStrangerDialogueTallValentinePsychicsWoodyGood ActorsMaggie Author:Dustin Hoffman
“I was lying in bed on a Saturday morning, reading the paper, when my phone went. The caller was Rangers director, Jack Gillespie, and he offered me the manager's job at Ibrox. I was flattered but declined with thanks. John Greig was a good friend of mine and I had no intention of being involved in ousting him.” JobsLyingReadingMorningMinesInvolvedBedDirectorsPaperIntentionPhonesThanksManagersGood FriendSaturdayRangersFlatteredSaturday Morning Author:Alex Ferguson
“Sometimes I call directors. Sometimes I just meet with them. It just happens. It's not that I'm pushy. It comes naturally. But I go ahead. I don't stay in my armchair, waiting for the phone to ring.” SometimesHappensWaitingDirectorsPhonesRingsArmchairsPushy Author:Juliette Binoche
“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."” PeopleIfsDoeHardRunningAsksLevelsGroupsHard WorkQuietDirectorsEqualHappeningsPhonesIntenseChecksCellsBoardsLunchDedicationCell PhoneImmersion Author:Greta Gerwig
“Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.” WritingHas BeensProcessHoursInformationDirectorsUniversalPhonesProducersWriting ProcessItemsSigningScreenwritersGary Author:Laura Hillenbrand
“We were doing this close-up of my character on a cell phone, and the director's just like "Cut! Can we get somebody else's hand in there?" I do bite my fingernails, and you don't want to see a fat, bitten thumbnail on a 30-foot movie screen, so I get somebody with really nice, sexy hands and put 'em in there.” WantCharacterHandsNiceCuttingFeetDirectorsPhonesSexyScreensFatsCellsEmsBitesCell PhoneReally NiceFingernails Author:Miles Teller
“I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.” YearsArtLeftFeltTakenFiveDirectorsYears AgoTownsPhotographPhonesMagazinesInterviewsFive YearsKeep GoingBobGreat ArtColumnsWarholArt Director Author:Bob Colacello